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Stereophile Staff  |  Mar 25, 2001  |  0 comments
As Shannon Dickson puts it, the Audio Artistry Beethoven loudspeaker system "is a four-piece, bi-amplified, dynamic dipole design which has been taken to the nth degree of refinement." After much time spent reveling in the speaker's sonic splendor, Dickson arrives at his aural conclusion.
Stereophile Staff  |  Jun 25, 2000  |  0 comments
While Thiel Audio is primarily known for highly refined floorstanding speakers, John Atkinson thought it might be a good idea to give the stand-mounted Thiel PCS loudspeaker a spin. In doing so, he confirmed, once again, that wire is not wire when it comes to speaker cables. But what of the speaker? JA's conclusions may surprise a few audiophiles.
Stereophile Staff  |  Aug 04, 2002  |  0 comments
Chip Stern heads this week's list with an evaluation of the NAD C370 integrated amplifier from the January 2002 issue. With the units priced to sell, at $699, CS wants to know if the C370 can satisfy audiophiles as well as budget-conscious shoppers.
Stereophile Staff  |  Aug 23, 2004  |  0 comments
In his report on the MartinLogan Depth powered subwoofer, Larry Greenhill laments, "Reviewing subwoofers is a lonely job that brings no respect." But can the Depth upset one of LG's longstanding prejudices to earn his respect?
Stereophile Staff  |  Feb 13, 2000  |  0 comments
Kal Rubinson gets right to the point: "I am biased: On very little evidence, I remain convinced that, in the near future, high-quality music reproduction will be multichannel." The Meridian Digital Theatre surround-sound music system is therefore a product that puts Kal's vision to the test. Kal details the system, which consists of two DSP6000 front L/R speakers, one DSP6000C center-channel speaker, two DSP5000 speakers used for surround, the Reference 800 DVD/CD player, and the Reference 861 System Controller. But does the Meridian system live up to his expectations regarding the potential of surround-sound for music?
Stereophile Staff  |  Jun 04, 2000  |  0 comments
With multichannel DVD-Audio just around the corner, the surround-sound debate among audiophiles is starting anew. But how far have we come with surround sound in 30 years? J. Gordon Holt wrote "Bye Bye, Quadrifi?" back in 1971, in which he explored the same dilemmas faced by today's audiophile.
Stereophile Staff  |  Dec 08, 2003  |  0 comments
Paul Bolin says that the Balanced Audio Technology VK-51SE line preamplifier "made a profound impression on me at the 2003 Consumer Electronics Show." Once in his very own listening lair, did the BAT continue to impress? PB tells all.
Stereophile Staff  |  Mar 01, 2004  |  0 comments
John Atkinson headed to the Midwest last year to record another audiophile disc. In Deep River: the Cantus Spirituals Project, JA describes the process of capturing a chorus of male voices with high-rez digital equipment. Atkinson notes, "Presented with the magnificent acoustic of Sioux Falls' 1500-seat Washington Pavilion of the Arts & Sciences, the question facing me was how to present what are still fairly intimate works while taking advantage of that supportive acoustic."
Stereophile Staff  |  Aug 20, 2000  |  0 comments
Audiophiles aren't taking to the streets just yet, but John Atkinson is more than a little riled about the proposed watermarking of SACD and DVD-Audio recordings. In this month's "As We See It," "Watermarking: the Devil's Work!," JA exhorts the audiophile masses to rise up in protest.
Stereophile Staff  |  Sep 28, 2003  |  0 comments
Kalman Rubinson looks past the odd knobs to discover what's at the heart of the Blue Circle BC21 preamplifier & BC22 power amplifier. KR reveals, "In the past, I've found components with small drawbacks that made them unacceptable, but the Blue Circle BC21 and BC22 triumphed over their flaws."
Stereophile Staff  |  Oct 24, 1999  |  0 comments
Steven Stone writes that "the Signature SC-VI is probably the most 'anti-tweak' flagship high-end speaker ever made." In his very thorough review of the Dunlavy Audio Labs Signature SC-VI loudspeaker, Stone details this legendary audiophile favorite from top to bottom. Is it the perfect speaker? Stone lays down his verdict, and more.
Stereophile Staff  |  May 31, 2004  |  0 comments
"It costs as much as a car—and not a used jalopy, either," remarks Michael Fremer. "That's what goes through your head as you contemplate this magnificent $20,190 piece of audio jewelry." The jewelry in question is the Jadis RC JP80 MC Mk.II preamplifier, which MF compliments for "breathtaking" workmanship and parts quality. He also listens to the thing and reveals what some might consider the most important part: how it sounds.
Stereophile Staff  |  Sep 10, 2000  |  0 comments
Jonathan Scull writes that "with its latest series of FPB (Full Power Balanced) amplifiers, Krell is taking careful aim at the seam between classic high-power two-channel systems and quality multichannel installations where sound is yet paramount. Nevertheless, Krell founder Dan D'Agostino was adamant: Krell's Class A components were designed for music playback. 'I'm a purist, like you, Jonathan!' he told me." In his review of the Krell Full Power Balanced 350mc monoblock amplifier, Scull determines whether or not Krell has struck its musical target.
Stereophile Staff  |  Jul 25, 1999  |  0 comments
While decidedly "niche products," as Martin Colloms describes them, single-ended (SE) tube amplifiers have still found a happy home in many audiophile systems. But a trap awaits those who wish to evaluate the differences between an SE and a solid-state or push-pull tube amplifier, or between two SE amps. In "The Unseen Variable," Colloms digs to the bottom of this complicated matter.
Stereophile Staff  |  Jan 17, 1999  |  0 comments
Our first article this week is Space . . . the Final Frontier, in which J. Gordon Holt explains both why he feels the High End should abandon two-channel stereo, and why it is misguided in its choice of loudspeakers for stereo reproduction.

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