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Stereophile Staff  |  Mar 11, 2001  |  0 comments
With the April issue of Stereophile, the "Recommended Components" list is again on its way to subscribers' audiophile homes around the world. But there has always been controversy surrounding the popular feature. George Reisch explores the problem in "Recommended Components"—the St. Hubbins' Syndrome!
Stereophile Staff  |  May 11, 2003  |  0 comments
For Listening #5, Art Dudley tackles audio moderation, Lowther Land, and the audio puritans spying on the nudists next door. AD also explains the statement, "Just because I have a job in the lunch line doesn't mean I have to keep serving the kid who shows off for his friends by spitting out his food."
Stereophile Staff  |  Feb 10, 2002  |  0 comments
Chip Stern writes in his review of the Blue Circle BC3 Galatea line-level preamplifier, "From the moment I hooked these units up, the captivating turquoise glow of their matching front-panel lights (a glowing orb within a blue circle) held out the promise of something inviting and serene." Promise fulfilled? Stern spills the Blue Circle beans.
Stereophile Staff  |  May 27, 2001  |  0 comments
It was 15 years ago this week that an enthusiastic John Atkinson was lured From London to Santa Fe to take the helm of Stereophile. As JA recounted back in 1986, "From London, England, to Santa Fe, New Mexico, is a pretty big jump, both geographically and culturally. From Hi-Fi News & Record Review to Stereophile, however, is a mere hop; the similarities overwhelm the differences."
Stereophile Staff  |  Mar 15, 2004  |  0 comments
From the March 2004 issue, John Atkinson finally gets to listen to the Sonus Faber Cremona loudspeaker and explains, "it took rather longer than I had expected to set the Cremonas up in my listening room. But, like everything worth experiencing, the wait was worth it."
Stereophile Staff  |  Apr 26, 2004  |  0 comments
Paul Bolin revisits planet Halcro to review the company's dm10 preamplifier. As PB notes, "After designing an amplifier that turned much of the audio world on its head, Halcro's head honcho, Bruce Candy, turned his attention to developing a preamplifier to match what he'd already wrought."
Stereophile Staff  |  Apr 05, 2004  |  0 comments
From the January 1996 issue, Jonathan Scull listens closely to the Wavelength Audio Cardinal XS monoblock amplifier. Single-ended tube designs such as the Wavelength can inspire controversy within audiophile ranks, so Scull carefully sorts the plusses and minuses.
Stereophile Staff  |  Jan 07, 2001  |  0 comments
Writer Brian Damkroger had always wanted "a really good, big solid-state amp" to match his Magnepan loudspeakers. So when the Classé CAM 350 monoblock power amplifiers arrived, it seemed like at least one of his dreams had finally come true. But was it a match made in heaven? Damkroger lays out the details in his January, 2001 review.
Stereophile Staff  |  Apr 21, 2002  |  0 comments
In his review of the Music Reference RM-200 power amplifier, Michael Fremer claims, "Reviewing a vacuum-tube power amplifier is like having your pants pulled down in front of a large crowd of people." MF explains why he reviewed the RM-200 despite the inevitable public humiliation.
Stereophile Staff  |  Oct 05, 2003  |  0 comments
Wes Phillips slips into his well-worn flame-proof underwear as he bravely introduces audiophiles to the musical merits of the Apple iPod. WP finds he likes living at the edge of audio trendiness, exclaiming, "Holy cow! I'm running with the fashionistas! Can I still be an audiophile, too?"
Stereophile Staff  |  Jul 08, 2001  |  0 comments
Brian Damkroger finds that, while struggling unsuccessfully to fit the Conrad-Johnson Premier 17LS line-stage preamplifier into his preconceived notions of the company and its products, a paradigm shift in his thinking occurred. Damkroger explains that "it was only during a marathon session of listening and comparing the C-J to a couple of other preamps that the truth dawned on me . . . I went back and forth between the C-J and the other units several times over the course of the next week, and one evening it hit me." The truth awaits.
Stereophile Staff  |  Mar 10, 2002  |  0 comments
John Atkinson gets high with the HeadRoom Supreme headphone amplifier and reports on the results. "The quest to make the headphone listening experience more equivalent to normal speaker listening is not new," writes JA. Has the Supreme made the cut?
Stereophile Staff  |  Nov 03, 2002  |  0 comments
Brian Damkroger has a wonderful moment or two as he auditions the VAC Renaissance Signature Mk.II preamplifier. As BD explains, the right musical situation can trigger those long-lost memories . . . .
Stereophile Staff  |  Oct 07, 2001  |  0 comments
As the results from last week's Vote prove, having the right tool for the audiophile job makes all of the difference. And a lot of you selected the Stereophile Test CD 3 as your weapon of choice for uncovering the good, the bad, and the ugly of a component under consideration. Here's the complete story on the most recent test disc from Stereophile and company.
Stereophile Staff  |  Jan 02, 2000  |  0 comments
Now that the big odometer has finally turned over, John Atkinson takes a moment to look back at the last 50 years of music reproduction—the era of high-end audio. Writing in "Happy New Audio Millennium," JA offers a little perspective on where audiophiles have traveled this last half century, and where we haven't.

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