Interviews

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Jana Dagdagan  |  Dec 04, 2017  | 
The January 2018 issue of Stereophile, which will hit newsstands at the end of this week, features GoldenEar Technology's flagship Triton Reference loudspeaker on its cover, with a review inside from John Atkinson. When GoldenEar's co-founder and president Sandy Gross visited JA last July to set the speakers up in his Brooklyn listening room, John asked Sandy about his loudspeaker design goals, his preferences in sound quality, his tastes in audio, and the state of the high-end audio market.
Jonathan Scull  |  Apr 04, 2004  |  First Published: Jan 01, 1996  | 
Jonathan Scull: Gordon, please tell us what you see as the basic difference between single-ended and push-pull.
Robert Baird  |  Mar 05, 2014  | 
As songwriters go, Guy Clark has been touched by the muse more than most. Unfortunately, in recent years he's also been visited by illness and heartache. In June 2012, his wife of 40 years, Susanna Clark, who was both a songwriter ("Easy from Now On") and an artist (the cover of Willie Nelson's Stardust), died in Nashville. In the past several years Clark, 72, has battled lymphoma, had his knees replaced, and undergone an arterial replacement in one leg. He was being treated for skin cancer when I visited his home, south of Nashville, in October 2013.
Robert Harley  |  Jul 10, 2018  |  First Published: May 01, 1995  | 
The men behind HDCD (L–R: Pflash Pflaumer, Michael Ritter, Keith Johnson

High Definition Compatible Digital® (HDCD®), the proprietary process for improving the sound of 16-bit digital audio, has finally arrived. More than a dozen digital processors using the technology are on the market, and the professional encoder used to master HDCD discs is following closely behind.

John Atkinson  |  Nov 29, 2010  |  First Published: Oct 15, 1987  | 
1087azima.jpgIn its first three years, UK hi-fi manufacturer Mission Electronics employed a number of engineers to reinforce the creative talents of founder and hi-fi enthusiast Farad Azima. The lineup included John Bicht, now with Versa Dynamics, and Stan Curtis, now heading up Cambridge Audio. But when Farad's brother Henry—"Henry" is actually a nickname and I am sure you can see the derivation—joined the company in 1979, he brought both a much-needed stability, and initiated a considerable degree of commercial success for the company's products. Now resident in Canada, he spends his time commuting between his laboratory in Toronto and the company's headquarters near Cambridge, England (footnote 1). Prior to joining Mission, however, Henry had served in the Iranian Navy for 15 years, an unusual training for an audio engineer. I asked him if this had been an appropriate preparation for the world of hi-fi.

Henry Azima: I had actually been a student in the UK, studying electronic engineering at the University of Surrey in Guildford. When I left the Navy in 1979 after the revolution in Iran, I moved to the UK and got a job with my previous University as an Assistant Lecturer and Researcher. However, Farad then asked me out of the blue to join Mission. I said, "Well, I have no idea about hi-fi, and stuff like that." He said, "You will learn, there's no problem!"

Jana Dagdagan  |  Jun 26, 2017  | 
This video is about Jeffrey Catalano and his shop High Water Sound, located in Manhattan's South Street Seaport, right under the Brooklyn Bridge. Though it was my first time meeting Jeffrey, I had long been familiar with his name—often associated with good sound at audio shows and a true appreciation for music.
Jonathan Scull  |  Jul 08, 2007  |  First Published: Mar 08, 1997  | 
Our interview with Hiroyasu Kondo—founder of Audio Note Japan, and a legendary figure in his own time—took place during HI-FI '96 last June at the Waldorf=Astoria. It seemed very natural; the crowd at the Show was very internationalist. Herb Reichert of Audio Note New York found us a quiet corner after lunch, and we sat down to talk.
Wes Phillips  |  Apr 09, 1996  | 
To get some background information both on Aerial Acoustics and on the 10T loudspeaker that I review this month, I gave Aerial's Michael Kelly a call. When had he got involved in loudspeakers, I asked...
David Lander  |  Nov 30, 2003  |  First Published: Nov 01, 2001  | 
In July 1877, Thomas Edison wrote that he was sure he would "be able to store up & reproduce at any future time the human voice perfectly," and the word phonograph soon began showing up in his lab notes. By the time Ivor Tiefenbrun stepped onto the audio industry soundstage, nearly a century had passed, and even discriminating listeners took the record player for granted. But Tiefenbrun had discerned sonic differences among players, and he knew that his LP12—he had built a prototype for personal use—was a superior performer. When people told him that turntables do no more than go 'round and 'round, he would rebut them by pointing out that speakers merely go in and out.
Jana Dagdagan  |  Jan 03, 2017  | 
This week's Industry Profile features Jim Hagerman of Hagerman Audio Labs. In essence, Jim is Hagerman Audio Labs all-in-one, as he impressively functions as owner/designer/engineer/tester/builder/shipper/customer service, and so on. Hagerman Audio Labs first caught my eye a couple years back when I started getting into DIY projects. Though he has since eliminated DIY from his offerings (you can read why below), Jim continued to interest me because: 1) his website lists an address in Honolulu (a rarity in high-end audio), 2) he publishes his schematics, and 3) his candid approach to social media is refreshing—all hopeful indicators that he'd make a very interesting Industry Profile subject.
Jana Dagdagan  |  Jul 26, 2017  | 
Last month, our sister site AnalogPlanet.com published a brief post about one of Koeppel Design's recent releases: the LP Block ($76; engraved or stenciled, above). The majority of the comments on the blog criticized the LP Block and few of Kate Koeppel's other products purely for being too expensive. When I read these comments, I felt that the value of her products weren't being appropriately considered. I believe it's because there isn't currently a huge market for record dividers, record stands, and casual record-carrying totes. Consumers have little to compare and therefore lack perspective.
Jana Dagdagan  |  Dec 12, 2016  | 
At the end of November, I spent a couple days in Eindhoven, The Netherlands, getting a first look at Marantz's New Reference series audio components. During my brief visit to D+M's European HQ, I was fortunate enough to spend 40 minutes of one-on-one chat time with Ken Ishiwata, Marantz's famed Brand Ambassador, and a key component to Marantz's success for nearly 40 years. I was originally only scheduled to have 10 minutes with him, but thankfully, due to a last-minute adjustment, we were able to talk for longer.
Jana Dagdagan  |  Nov 28, 2016  | 
For the past eight months, my headphone of choice at Stereophile's New York office has been a pair of AudioQuest Nighthawks. That's eight hours a day, five days a week, for approximately 32 weeks. Not eternity, but we've spent a good chunk of quality time together. The overall setup is comprised of an Apple MacBook Pro (usually streaming Tidal, Spotify, or Amarra for Tidal), an AudioQuest Jitterbug, an AudioQuest DragonFly Red, and said NightHawks. I suppose it's safe to say that my ears tend to jibe well with AudioQuest products.
Jana Dagdagan  |  Dec 19, 2016  | 
This week's industry profile tells a story about beginnings and changing times, in a conversation with Steve Cohen, a longtime employee (he doesn't have a formal job title) of the New York based hi-fi shop In Living Stereo. I started our conversation by asking Steve how he got into hi-fi. What was his background?
Jana Dagdagan  |  Nov 14, 2016  | 
Dear Reader: This is my first of a series of industry profiles. The hi-fi publication sector largely consists of equipment reviews and music features. My hope for this series is to focus instead on the great people who keep this industry alive from the ground up, behind the scenes—designers, engineers, listeners, salespeople, and all music lovers alike. It should be interesting.

As the winter months inevitably approach, it feels only appropriate to delay the forthcoming cold with one last bit of summer. Summer Yin and I have known each other for nearly a year and a half, during which she has played integral roles at both HiFiMAN and AURALiC. I started our conversation by asking her about her experience and background in the audio industry.

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