At an after-hours press listening session sponsored by Paragon Audio/Video of Michigan, Dave Wilson was in a major upbeat mood for the show premiere of Wilson Audio's new Alexx loudspeaker ($109,000/pair). . . The Alexx, Wilson's successor to the MAXX 3, acquitted itself admirably through the Doshi Audio 3.0 line stage, 3.0 phono stage, and 3.0 tape stage ($16,999/each), as well as their Jhor mono amplifiers ($29,995/pair); dCS Vivaldi digital system ($115,000 total); Transparent Opus cabling and power conditioning ($208,360 total) along with an extra-long version of John Marks' Esperanto Audio Small-Batch S/PDIF cable on Peter McGrath's Sound devices portable digital.

Audio shows are tribal gatherings and, when they are going strong, they can become musical hoedowns. At every one of these tribal gatherings you can find Peter McGrath and Wilson Audio Specialties making the biggest campfire and singing the best songs. Why? Because they can. Decades of experience have made Wilson demos the Big Event—and this year's version, presented by dealer Paragon Sight and Sound, may have been the best ever. They introduced the new Wilson Alexx speaker($109,000/pair). Was it amazing? Of course it was. It was powered by a range of Doshi Audio tube electronics which appeared to do their jobs on some newer, higher level than I am used to.

I was talking to a couple of oldster audiophiles standing outside the glass-walled Woo Audio room. They were raving about some Von Schweikert Audio speakers when I interrupted them to ask, "Have you heard the Abyss headphones?" They laughed and smirked…

I scored big this year, because my floors included High Water Sound's room. As usual, Jeffrey Catalano was a breath of fresh air, playing LPs of music not encountered in other rooms…

I always laugh at Andrew Jones's demonstrations, because every time he plays some bass-slamming blockbuster, the curtains behind the speakers start flapping in the breeze from the force and velocity of the speaker's rear port.

Because the energy is so strong, I always feel drawn to these rooms, and once there, I lose time, spend money, and feel young again…

Once Pro Musica Chicago discovered that one of the electrical outlets in their room was severely handicapped, as it were, and switched to another, the VTL TL5.5 preamp with phono stage ($10,500) and VTL S200 power amp ($12,500) delivered eminently neutral sound…

Even before 10am had rolled around on opening day, eager audiophiles were obtaining badges in the lobby of the Westin O'Hare…

The least-expensive Wilson speaker and the most-expensive Vandersteen speaker go head-to head in the May issue, accompanied by reviews of PS Audio's affordable DSD DAC, Schiit's high-value Ragnarok integrated amplifier, Luxman's high-performance EQ-500 phono preamplifier, Vandersteen's unique monoblock amplifier . . .

First things first. Yes, Dave Douglas named his new album, Dark Territory, after my new book of the same title. This may seem odd: my book is about the history of cyber war; Douglas' album is a deep-dive exploration of improvisation, composition, and technology in the risky corners of jazz and electronica. But in an email sent out by his self-owned label, Greenleaf Music, he explains that both works are about "similarly mysterious murky waters of underground activity" and that he found my title fitting because, like the characters in my book, he and his band are "playing through a similar territory without rules where the dangers and challenges of technology are much greater than normal."