Two Shows for Southern California in 2017!

Two Shows for Southern California in 2017!

You read that correctly. 2017 will see the advent of two, potentially competing high-end audio shows, located just 35 miles and several congested freeways apart in Southern California. The first, the new Los Angeles Audio Show (LAAS), will take place June 2–4 in the Sheraton Gateway LAX, and is produced "in collaboration with the Los Angeles & Orange County Audio Society" (LAOCAS). The second, a continuation of T.H.E. Show Newport that was founded by the late Richard Beers and formerly supported by LAOCAS, will be held September 21–24 (September 21 reserved for press) in the Hilton Anaheim, near Disneyland.

SAE 2HP-D power amplifier

SAE 2HP-D power amplifier

In 1967, in Los Angeles, Morris Kessler, with Ted and Beth Winchester, founded Scientific Audio Electronics (SAE), which enjoyed a successful run of 21 years. In addition to Kessler, Sherwood Electronics cofounder Ed Miller, as well as the legendary James Bongiorno, contributed designs. (If you don't know Bongiorno's résumé, please do a web search.) Some SAE products, particularly their big-metered power amplifiers, became objects of desire for audiophiles on the West Coast and, especially, in Japan.

Recording of October 2016: Lovers

Recording of October 2016: Lovers

Nels Cline: Lovers
Nels Cline, electric & acoustic guitars, lap steel, effects; Charles Pillow, C & alto & bass flutes, oboe, English horn, B-flat clarinet, alto saxophone; Steven Bernstein, Taylor Haskins, others, trumpet, flugelhorn, trombone; Julian Lage, guitar; Yuka C. Honda, celeste, Juno 60; Devin Hoff, contrabass, bass guitar; Alex Cline, drums, percussion; Kenny Wolleson, vibraphone, marimba, percussion; Michael Leonhart, arr., conductor; many others.
Blue Note 8002505102 (2 CDs). 2016. David Breskin, prod.; Ron Saint Germain, eng. DDD? TT: 90:02
Performance ****½
Sonics ****½

There's an old saying about music written for films and the stage: It's so lush and tuneful that it's almost too schmaltzy to be heard without accompanying visuals. Add to that the suspicion that many so-called "out" jazz cats—guys with outsize reputations as loud, atonal shredders of the brainiac variety, blinding talents who prefer endless effects and generally play unhinged and far away from the melody—are really, under all the noise, big softies. There you have the story of Lovers.

Shirley Horn on Resonance Records

Shirley Horn on Resonance Records

Resonance Records has put out some of the most vital, previously unreleased (in some cases, unknown) historical jazz sessions in recent years, and the latest is one of the sweetest: Shirley Horn, Live at the 4 Queens, recorded at a now-defunct Las Vegas hotel-casino of that name in 1988. It's Horn's best live album, and one of her top few albums, period—which says a lot.
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