AXPONA is the show that breaks barriers and defies stereotypes.
The audiophile community is filled with kind, generous people who are fiercely passionate about good music and good sound. But it is no secret that there are a small number of audiophiles on the dark-side (and not of the moon) whose sole purpose in life is to sour it up for the rest of us. They are foul beings of the dark underground hi-fi network that globally infiltrates hi-fi shows, dealers, regional clubs, and even the occasional Can-Jam. I won't even begin to tell you about my findings on their black-ops missions with rogue assassins or just how many government conspiracies they're responsible for. . .
The doors of the 2017 AXPONAtaking place this weekend at the Westin O'Hare in Rosemont, close to Chicago's O'Hare airporthad opened but 15 minutes when yours truly (far left) joined (LR) Steve Guttenberg (The Audiophiliac blog for CNET.com/ Stereophile), panel moderator Chris Martens (Hi-Fi+), Conor Cawley (Tech.co), Steve Rochlin (Enjoythemusic.com), and an audience of at least 5060 people to discuss "What does 2017 mean for audio?" I didn't know what to expect, or what to discuss besides the resurgence of vinyl and the promise of better sound through MQA. But thanks to excellent questions from Chris and attendees, and some truly stimulating contributions from my fellow panel members, I think some major ground was covered.
This story originally appeared at InnerFidelity.com
To my eyes, the Atticus is one half of a two part experiment by Zach Mehrbach, Founder and CEO of ZMF Headphones. His past has been dominated by the venerable, but in my opinion underperforming, Fostex T50RP planar magnetic driver. I guess Zach sees his future with a more modernthough more commondynamic driver. It seems to me he's designed these latest two headphones as an experiment to find out just how good a headphone he can build using two different types of dynamic driver: the Atticus with a TPE (Thermoplastic Elastomer) diaphragm driver; and the Eikon with its bio-cellulose cone and rubber surround.
The Mark Levinson No.526 is the first preamplifier designed by a new 12-person team led by Todd Eichenbaum, director of engineering at the Harman Luxury Audio Group's Engineering Center of Excellence (ECOE), in Shelton, Connecticut. Designed to fit the price niche between the company's least and most expensive preampsthe No.326S ($10,000) and No.52 ($30,000)the No.526 costs $20,000.