Back in January 2010, in Las Vegas for the Consumer Electronics Show, I was prowling the corridors of the Venetian Hotel when I bumped into loudspeaker auteur Sandy Gross, cofounder first of Polk Audio and then of Definitive Technology. Knowing that Gross was no longer associated with Definitive, I asked him what he was getting up to in his retirement.
Retirement? He showed me a photo of a plain, cloth-covered, black tower speaker and promised to keep in touch. When next I heard from him, it was to announce that, along with his wife, Anne Conaway, and his former partner at DefTech, Don Givogue, he had started a new loudspeaker company, GoldenEar Technology, Inc., and that the plain black loudspeaker was the first in a line of models to be named Triton.
It's been more than seven years since the late Wes Phillips reviewed Vivid Audio's top-of-the-line loudspeaker, the Giya G1, for Stereophile, and since then the speaker has been seriously revised. At first glance you still notice the sui generis form; closer inspection reveals fundamental changes that make it, in most respects, an entirely new speaker.
This story originally appeared at InnerFidelity.com
May I have a drumroll, please! Here is the expanded amplifier measurement chart, presenting the essential measurements in a way that consumers can actually use, without forcing them to become engineers. At first it appears to be a daunting looking chart, but consumers will be presented with only a few of these measurements.
Register to win a copy of ELO's 2LP collector's picture disc edition of Out of the Blue we are giving away.
According to the company:
"One of the indisputable masterpieces--and most commercially successful titles--in the ELO canon, Out of the Blue, the group's seventh studio album, was originally released in October 1977."
Seattle and Dausgaard Welcome Us to Nielsen's World
Dec 17, 2017
For those unfamiliar with the symphonies of Danish composer Carl Nielsen (18651931)that includes methe startling opening of his Third Symphony, "Sinfonia espansiva," will undoubtedly come as a shock. Its relentless pounding chords, played at an accelerating pace by the entire orchestra on the same pitch, may owe more than a little to Beethoven's Third Symphony, "Eroica," but their language is far more modern, and reflective of an era profoundly unsettled. Heard in high-resolution stereo (24/96 WAV) in the new live recording of Nielsen's Symphonies No. 3 and 4 from the Seattle Symphony, conducted by their Music Director Designate, Thomas Dausgaard, the symphony's opening volley seems calculated to catch us off guard, and convince us to listen with care to whatever may follow.