The LA Show was my first time aboard the (appropriately) hyped Magic Bus! A one-of-a-kind audiophile-mobile custom-built by Sony contractorJon Whitledge, the Magic Bus is a rare feat.
Industry veterans EveAnna Manley (left) and Mary Cardas (right) were in a particularly ebullient mood when I encountered them in the second-floor hallway. "We just got mansplained," laughed EveAnna. "Whatever you do, man, don't mansplain us," she continued, as the two women recounted the tale of entering an exhibit incognitothey were judges for the "Alfies," the LAAS awardsand discovering some salesman talking down to them.
This story originally appeared at InnerFidelity.com
Twenty five years ago when I started HeadRoom and built the first commercially available portable headphone amplifier I said to myself, "The day Sony decides to enter the fray with a portable headphone amp my mission will be complete." That happened a few years ago and I've found it quite entertaining to watch this humungous consumer electronics company try to snuggle into our tiny headphone enthusiast niche.
As the second wave of registrants stood in multiple lines in the lobby of the Sheraton Gateway Los Angeles on the morning of Friday, June 2, the Los Angeles Audio Show was already off to a promising start. And what a promise it was. The night before show's open, when I encountered the force behind LAAS, Bob Levi of the Los Angeles & Orange County Audio Society, in a hotel elevator, he told me that pre-registration had already topped 7500 people. That number, it seems, has set new records for attendance at an audio show in Southern California. It also undoubtedly sets a pre-registration record for any first-time high-end audio show in the US that welcomes the general public.
At the opening ceremony (leftright): Chip Moore (Executive Vice President Programming, LAOCAS), David Robinson (PFO), John Atkinson, and Marine Presson (LAAS).
Attendees were already moving from exhibit to exhibit on the first five floors of the Sheraton Gateway Los Angeles Friday morning when the opening ribbon-cutting ceremony began to take form. To John Atkinson went the honor of the opening keynote. Keeping it short, John reflected on his many years as editor-in-chief at audio publications, starting with Hi-Fi News & Record Review in England in 1982. JA's move to take the helm of Stereophile took place in May, 1986, a little over 31 years ago.