Solo Sounds: The Power of One

Solo Sounds: The Power of One

While it hasn't always made money or hit records, the music business has never been short on ideas. Most are nonsense, but every once in a while—the gramophone, onstage monitors, Les Paul's overdubbing—the biz comes up with a winner.

Many of the craziest ideas I've heard in 30 years of writing about music have been expounded on at the South by Southwest Music Festival, held each year in Austin, Texas. At SXSW, hope springs eternal. Secrets are whispered. Buzz bands gain momentum. Rumors ripple through crowds. Everyone has visions of morphing into a mogul. There's an intoxicating energy to it all.

Delaware Acoustics DELAC S10 loudspeaker

Delaware Acoustics DELAC S10 loudspeaker

666skinny.promo250.jpgOne of the joys of reviewing loudspeakers is that there are always intriguing aspects of any particular design. The problems involved in producing a speaker that has an even tonal balance, well-controlled directivity, good bass extension, and a smooth integration of the outputs from often widely disparate drive-units have what appears to be an infinite number of solutions. The result is often a speaker so different from the norm that it just cries out to be auditioned.

Such was the case with the Delaware Acoustics DELAC S10, which costs $629/pair. Only sold factory-direct, this would therefore have been low on Stereophile's priority list for review if it weren't for two things: first, the fact that the S10 was designed by one Ralph Gonzalez, a name that should be familiar to readers of Speaker Builder magazine for having written a very useful speaker design and analysis program; second, as implied in the first paragraph, the S10 is one of the weirdest speakers I have ever laid ears on.

The 2017 Warsaw Audio Video Show

The 2017 Warsaw Audio Video Show

Poland's Audio Video Show, held in Warsaw each November and now firmly established as Europe's No.2 hi-fi event, has a very different feel from Event No.1: High End, held each May in Munich, Germany. Unlike High End's business-to-business approach, the Audio Video Show is very much for regular consumers, of whom more than 14,000 attended over the show's three days, November 17–19. Boosted by a modest "Smart Home" presence, that was an increase of nearly 18% over last year's show, alongside more modest growth in the numbers of exhibitors and exhibit rooms.

Katz's Corner Episode 21: How Insensitive! Part 2

Katz's Corner Episode 21: How Insensitive! Part 2

This story originally appeared at InnerFidelity.com

So today we'll pick up on this principle and briefly compare the sound qualities of six very different headphone amplifiers, concentrating on their headroom, impact, perceived loudness, detail, and depth. Then, in the next episode, I'll try to make sense of the listening and see if there is any correlation between what we measure and what we hear. Don't expect a miracle—listening versus measurements is an ongoing debate, but in Episode 22 I promise to reveal some tantalizing clues!

Listening Tests and Absolute Phase

Listening Tests and Absolute Phase

The problem confronting the magazine reviewer when organising the necessary listening tests to accompany/reinforce the measured behavior of a device under test is complex. There has never been a problem with the measurement aspect; as long as someone has access to the same test gear—and full knowledge of the test conditions—then he should be able to replicate the critic's findings exactly (assuming an infinitely narrow spread of behaviour from sample to sample—a rasher assumption with some manufacturers' equipment than of others). However, when it comes to determining reliably the audible (or inaudible?) effects on music program by an amplifier/cartridge/loudspeaker etc. then the going gets tough.
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