The phrase "renaissance man" carries gravitas. It's probably overused. But Damon Von Schweikert believes the term genuinely befits his late father, speaker designer Albert Von Schweikert, who passed away on May 29, 2020, leaving behind myriad contributions to audio through his namesake companies.

EISA, or the Expert Imaging and Sound Association, is an organization representing 60 special interest magazines from 29 countries that cover Hi-Fi, Home Theater Video, Home Theater Audio, Photography, Mobile Devices, and In-Car Electronics. Each year, EISA expert group members, including editors from this publication, receive previews of the latest products, an extended process that culminates in a vote on which products are worthy of the prestigious EISA award.

German engineering acumen and machining excellence—acknowledged and admired worldwide—are nowhere to be seen on AMG's flagship Viella Forte turntable and new 12JT tonearm. That's because, while what's on the surface is cosmetically and mechanically well-turned, the design features and precision engineering that set AMG's turntables and tonearms apart are inside and hidden from view.

Norah Jones: Pick Me Up Off the Floor
Blue Note B003179402 (CD). 2020. Also available on LP as Blue Note B003179801 and as high-rez download. Norah Jones, Jeff Tweedy, prods.; Patrick Dillett, Brandon Bost, Andy Taub, Matt Marinelli, Jake Owens, Tom Schick, engs.; Greg Calbi, Steve Fallone, mastering
Performance ****½
Sonics ****

It has been almost two decades since Norah Jones emerged shyly from obscurity into astonishing pop/jazz stardom, first with 2001's First Sessions EP, her Blue Note launchpad, then with 2002's Come Away With Me, which wowed the world. It has been surmised that Jones's self-described "mellow piano music" salved the pain of 9/11—whatever the reason, the album won five Grammy Awards and is reported to have sold some 27 million copies: more than Eric Clapton's Unplugged and slightly fewer than The Eminem Show.

Listening rooms are real, imperfect places. Their character arises from their defects. I like real, imperfect things (footnote 1).

Not that there's such a thing as a perfect listening room. Every domestic listening room shares the same basic problem: Its most fundamental nature—its size and shape, the amount of space it carves out—results in resonances that can profoundly alter the sound of reproduced music, especially in the bass.