You may be moving to Montana. Acoustic Signature is not an overnight sensation, nor are its turntables driven by dental floss. If you're not a Frank Zappa fan, you probably have no idea what any of that means, so please Google it. I'll wait till you get back.

Sofia Gubaidulina: Dialog: Ich und Du; The Wrath of God; The Light of the End
Vadim Repin, violin; Gewandhausorchester Leipzig, Andris Nelsons, cond.
Deutsche Grammophon 4861457 (auditioned as 24/96 WAV). 2021. Everett Porter, Bernhard Güttler, prods.; Porter, Sebastian Nattkemper, Benedikt Schröder, engs.
Performance *****
Sonics *****

At 90 years of age, Sofia Gubaidulina has honed her musical language amidst conflict. Since 2003, the profoundly religious, visionary, and visceral Russian composer has written three huge, prescient works that depict in musical terms a standoff between God and humankind. All receive their world premiere "live" recordings in this sensational-sounding, system-demanding outpouring from Andris Nelsons and the venerable orchestra that Felix Mendelssohn once led, the Gewandhausorchester Leipzig.

Rabbits figure frequently in chats with Tom Fine—not the little creatures per se but the holes they burrow into. Because when you question Fine about matters present and past, his encyclopedic memory and fascination with all things great and small take you down what he calls "rabbit holes."

Brahms: Symphony No.4, Florence Price: Symphonies Nos.1 & 3, Schumann: Arabeske, Kreisleriana, Fantasie and Shostakovich: 24 Preludes and Fugues Op.87.

The Cookers: Look Out!, David Sanford Big Band: A Prayer for Lester Bowie, Orrin Evans: The Magic of Now and Marcin Wasilewski Trio: En Attendant.

Steely Dan Live: Northeast Corridor, Saint Etienne: I've Been Trying to Tell You and Adia Victoria: A Southern Gothic.

LIVE: Thursday, December 16, 2021 - 12:00PM ET

Sonus faber’s American Branch Manager, William Kline, and Product Marketing and Experience Director, McIntosh Group, Joshua Dellinger, discuss how to extract the best bass performance from your loudspeaker system.

UPDATE: This webinar is now available for replay!

In the mid-'60s, modern jazz pivoted. Charlie Parker, the previous era's key revolutionary, had been dead for a decade. "Hard bop," the soul-and-back-beat variant of Parker's bebop, was running out of steam. The Beatles were rocking the world, and jazz would never recover as a branch of "popular music." In response or indifference to these tough transitions, jazz musicians set sail on several experimental paths. In those first few years, the most adventurous voyages were mapped and carved out at Blue Note Records.