Jim Austin (left) succeeded John Atkinson (right) as Stereophile's editor in April 2019 and has preserved the magazine's Great Wall between editorial and advertising. Here are some of the most important principles that Stereophile religiously follows.

Brandi Carlile: Returning to Myself; Kings Of Leon: EP #2; New York Dolls: New York Dolls; Tyler Childers: Snipe Hunter; Dry Cleaning: Secret Love.

ill Ware and The Club Bird All Stars: Martian Sunset; JD Allen: Love Letters (The Ballad Sessions); Pat Bianchi: Confluence; Melissa Errico: I Can Dream, Can't I? (Illusions and Conversations from the Great American Songbook); Joel Ross: Gospel Music.

Enescu: Octet, Mendelssohn: Octet, Quatuor Ébène, Belcea Quartet; Unsuk Chin: Unsuk Chin, Ensemble Intercontemporain; Bartók: The Miraculous Mandarin, Concerto For Orchestra, Lebel: The Sediments, Toronto Symphony Orchestra; 25 × 25, Sõ Percussion/

Since founding Ojas in the 1990s and applying the name to his audio components, Devon Turnbull has mined a young audience that the traditional hi-fi industry has struggled to reach. Those who know about him receive his speakers, amplifiers, and turntables as if they were gifts delivered from on high.

In the Rolling Stones' long history, the Mick Taylor era was a peak, if not the peak. Taylor, who replaced cofounder Brian Jones in the late 1960s, proved a great musical foil for Keith Richards. He was a technical wizard on the guitar; those fluid higher-octaves riffs and runs were the perfect counterpoint to Richards's jabbing and stabbing and growling style.

As the jazz buyer for Tower Records's Lincoln Center (66th St.) location in the early 1990s, I held a unique vantage point on New York City, its music and culture. My position guaranteed daily encounters with an eclectic variety of unforgettable characters. Between regular visits by the likes of Kareem Abdul-Jabbar (grouchy), Kathleen Turner (pushy), and Michael J. Fox (perpetually running from the store's female staff), I saw a lot.