The fabled Threshold Stasis amplifier is back. The S/350 reissue, built in China by Threshold International Ltd., is said to have the same circuit as the original, but with updated components. The original cost $3900 in 1992, so for those who long to own this famous amplifier, the S/350 reissue at $2000 is a bargain!

Silverline Audio's new Prelude is a slim floorstander combining an aluminum-dome tweeter with two 3.5" aluminum/magnesium-alloy mid/woofers. Designer Alan Yun was running the speakers with a pair of Pass X600s (600Wpc), an unusual combination intended to show the speaker's potential for dynamics and bass extension—and it certainly did that. Nice, smooth sound, too. The Prelude seems like a real bargain at $1200/pair.

We <A HREF="http://www.stereophile.com/news/122605dcs/">reported</A&gt; a couple of weeks back about the management buyout at English digital specialist dCS. CES saw the first public showing of the new products we wrote about, including the Verdi Encore SACD transport, which upsamples CDs to a DSD stream to feed a dCS DAC, such as the Elgar Plus seen here beneath the transport with both clocked by the dCS Verona that I <A HREF="http://stereophile.com/digitalprocessors/305dcs/">reviewed a year ago</A>. The rest of the dem system was a pair of Verity Parsifal speakers driven by a VTL S-400 amplifier and VTL's new TL-6.5 line preamp: the sound on a cut from the new Jackson Browne CD that Robert Baird writes about in the January 2006 <I>Stereophile</I> was effortlessly smooth, analog-like in the ease of musical communication. And on the top of the Encore is the award we presented to dCS at CES for the original LaScala transport being one of our two <A HREF="http://stereophile.com/features/1205poty/index3.html">Joint Digital Products of 2005</A>.

Walking through the halls of T.H.E. Show, Jon Iverson and I were caught by John DeVore as we tried to cruise the halls quickly. "You've got to hear this," he gushed. "This is probably the worst sound and the best music you'll hear at the show."

Amphion's Anssi Hyv&#246;nen was happy to demo his tiny Ions ($1350/pair). The diminutive two-ways sport a 1" titanium tweeter and a 4.5" midrange/woofer, and weigh an easy to lift 10.5 pounds. They sound pretty darn big, though. I enjoyed them in a system with a T+A 1535 surround sound receiver and T+A SADV 1245 R DVD player, finding them spacious and three-dimensional. Then HeadRoom's Tyll Hertsens walked into the room and asked, "How do they sound as desktop speakers?"

Toward the end of the final day in Las Vegas, I found Kalman Rubinson entranced by the sound of Shirley Horn singing and playing piano in the Audio Research room at T.H.E. Show. A pair of the new Mk.2 version of the <A HREF="http://www.stereophile.com/loudspeakerreviews/619/">Wilson Sophia</A> speakers was being driven by ARC's Reference 210 monoblocks, a Reference 3 line stage, the Minnesota company's new Ref CD7 player, with cables from Shunyata and Cardas and AC conditioning by Richard Gray. I was equally entranced.

Toward the end of the final day in Las Vegas, I found Kalman Rubinson entranced by the sound of Shirley Horn singing and playing piano in the Audio Research room at T.H.E. Show. A pair of the new Mk.2 version of the <A HREF="http://www.stereophile.com/loudspeakerreviews/619/">Wilson Sophia</A> speakers was being driven by ARC's Reference 210 monoblocks, a Reference 3 line stage, the Minnesota company's new Ref CD7 player, with cables from Shunyata and Cardas and AC conditioning by Richard Gray. I was equally entranced.

High-end amplifier guru John Curl, well-known for his early designs at Mark Levinson Audio Systems and for the <A HREF="http://www.stereophile.com/phonopreamps/640/">Vendetta phono preamplifier</A>&mdash;some regard this as the finest head amp ever made&mdash; was at the Alexis Park to discuss his latest design for Parasound, the JC-2 preamplifier. [The price of the JC-2 has not been determined yet, but will be somewhere in the vicinity of $3200.] John was particularly pleased to point out that he had worked with the same circuit-board designer from the Vendetta days. He also pointed out the preamp’s "D-core" power transformer, which has an oval core at right angles to the winding. John believes that this is much quieter than a conventional toroidal transformer. However, he had persuaded Parasound to omit a phono stage because even the D-core transformer wasn't quiet enough for him. That brought up an obvious question&mdash;would he reintroduce the Vendetta? Although nothing was definite, he noted, "I'll probably have to do something because <I>everyone</I> is bugging me to bring it back."