Peter Mackay of Magico Loudspeakers (pictured above) and Jeffrey Sigmund and John Pravel of Luxman America brought a fantastic-sounding system to the Prosperity room. Exceptional scale, resolution, depth, dynamics, precision, and juicy tone could all be heard—audio prosperity of the highest order.

The night before AXPONA's official kickoff, Krell's director of product development, Dave Goodman, was still assembling the latest offering from Connecticut's solid-state powerhouse: the yet-to-be-released KSA i400. (With that model name, no prizes for guessing the number of watts per channel.) The Krell and its associated components were set up in a large, cube-like room—on paper, far from ideal acoustically. But what resulted on Friday morning sounded powerful and impressive. I don't mean to say that anything was excessively muscular. Effortless, poised, and relaxed though? You'd best believe it.

Nothing beats starting a show on a high note. Thanks to Musical Surroundings' Garth Leerer and the Quintessence Audio dealership of Chicago, that's what happened when Charlie Byrd played magnificently on a white vinyl direct-to-disc platter from the late 1970s.

As early as 9AM on Friday, April 22, early registrants began wandering the halls of Chicago's Renaissance Schaumburg Hotel and Convention Center. By 9:30AM, the first semi-crazed rush for vinyl old and new had begun in The Record Fair. And by 10AM, music was resounding in all its glory in the 138 exhibit rooms and 10 floors that comprise AXPONA 2022.

As I started to write this review, the news broke that Sound United, the owner of Boston Acoustics, Bowers & Wilkins, Classé, Definitive Technology, Denon, Marantz, and Polk, was going to be purchased by a corporation that makes medical instruments. Such consolidation is not new. China- and UK-based International Audio Group (IAG) was one of the first organizations to acquire iconic audio brands. IAG owns Audiolab, Castle, Quad, Leak, Mission, and Wharfedale. In 2009, they purchased Luxman.