Synthesis: The String Quartet Sessions
Various composers and musicians
ArtistShare CD. 2024. Ryan Truesdell, prod.; Ryan Streber, eng.
Performance ****½
Sonics ****

Until now, Ryan Truesdell has been known for producing two of the most important jazz records of the second decade of the current millennium. Centennial, in 2012, and Lines of Color, in 2015, contained newly discovered works by the great composer/arranger Gil Evans. They were lavish productions with huge world-class New York orchestras. The many honors they received included a Grammy award and multiple Grammy nominations.

Now Truesdell has a new project. His ensemble size has shrunk, but his ambition has not. Synthesis is a three-CD set containing new original works for string quartet by 15 large-ensemble jazz composers including himself.

Yesterday, I had a brief conversation, by text message, with my 26-year-old son. He had just walked by the Devialet shop at the Shoppes at Columbus Circle here in Manhattan. Knowing my interest in such things, he sent me a photo. The Devialet boutique seems more a design exhibit than a shop, in a high-ceilinged open area.

The shops at the Shoppes at Columbus Circle include Hugo Boss, Eileen Fisher, and Floga, which sells furs, among less-exclusive brands, though even the less-exclusive stores look fancy. Upstairs from the Shoppes is the Mandarin Oriental New York Hotel, where rooms cost about $1k/night and up, and some notable restaurants, among them Thomas Keller's Per Se, and Masa, a three-star Michelin restaurant where dinner costs as much as a room at the Mandarin Oriental, per person.

Devialet is the only trace of the hi-fi industry not only in that mall but in that part of town. Innovative Audio, which carries Wilson, Focal, and D'Agostino, among other brands, is about a mile east, a 25-minute walk.

Sonny Rollins: Freedom Weaver; Isaiah Collier & The Chosen Few: The Almighty; Arild Andersen/Daniel Sommer/Rob Luft: As Time Passes.

Gabriel Fauré: La Bonne Chanson, L'horizon chimérique; Mozart: Symphonies 35, 40, 36; Martinů, Dvořák, Krása, and Klein: Czech Songs; Charles Ives: Piano Sonata No. 2 (Concord, Mass, 1840–1860).

Various Artists: Jem Records Celebrates Jagger & Richards; Kerry King: From Hell I Rise; Liam Gallagher and John Squire: Liam Gallagher and John Squire; Bob Schneider: The Human Torch; Marcus King: Mood Swings.

Stereo is the most successful audio gimmick of all time. While dashboard record players, quadraphonic LPs, and MQA have gone the way of Ron Popeil's hair-in-a-spray-can infomercials, stereo remains king. And I am guilty of loving it.

That old expression "men love with their eyes" applies to listening, too. Enabled by the advent of a second channel, the fanning out of musicians across a soundstage fills the room and gives the eyes—and not only the ears—something to do. And I happen to enjoy the soundstage. It may be an utterly artificial delight, but who doesn't love hearing a tambourine coming from 10' to the left of the left speaker? So when I came across an article in which someone likened mono to listening to music through a hole in a wall, the metaphor made sense. Why would anyone want their music congealed in a blob directly in front of them when they could hear it separated out in space?

As always, though, it turns out that things aren't quite so simple...

The best Christmas gift in history was George Bailey being shown what the world would be like without his being born, courtesy of Angel Second Class Clarence, in the classic 1946 film It's a Wonderful Life. More recently, and in the real world, the best gift ever was the release of pianist Les McCann's Never a Dull Moment! (Live from Coast to Coast 1966–1967) a few weeks before Christmas 2023 and less than a month before his death at 88, on three vinyl LPs.

As one of the first live albums to be recorded in the hallowed space that is New York City's Village Vanguard, Sonny Rollins's A Night at the Village Vanguard (recorded November 3, 1957, released in 1958) set the template, proving that recording in the odd, triangular club could not only work but could also produce distinctive, satisfying sound. Soon after the recording of the Rollins album, Bill Evans and John Coltrane added live Vanguard albums to their recording catalogs.

Now reissued by Blue Note Records as part of its Tone Poet Series, this three-LP edition, which comes from a different source than previous releases, is that rare audiophile reissue where the sonic differences are immediately audible.