ARCAM Radia A25 integrated amplifier

ARCAM Radia A25 integrated amplifier

I've been to a few bowling parties and passed a bottle around a few fire pits, but I've never watched an audiophile unboxing video. Lately though, I have been paying closer attention to my first impressions of each new audio product as it enters my realm.

I'm finding it interesting to notice how a device previously unseen and unheard declares itself one small step at a time as I open its box, feel its heft, observe its form, study its manual, and, finally, wire it into my system. Those start-up experiences, plus my gut feelings during my first moments of music listening, establish a tone of innocent discovery I wish would last the whole month. It never does.

I mention this because my first impressions for my first-ever review of an ARCAM product, the Radia A25 integrated amplifier, were in that "innocent and receptive" mode from the instant I saw the box sitting outside my door.

It's Showtime!

It's Showtime!

Photo: Jason Victor Serinus

Though I'm writing this in early March, this As We See It column will be published in the May issue, which is the issue that will go to AXPONA, America's largest audio show, held each non-pandemic year at the Renaissance Schaumburg Hotel & Convention Center near Chicago. This year's show takes place Friday–Sunday, April 12–14. The show opens each day at 10am and closes at 6pm Friday and Saturday; Sunday's closing time is 4pm. If you're going to the show, don't forget to stop by the Stereophile booth, Location 9213 in the exhibit hall.

Gramophone Dreams #83: Benz Micro Gullwing SLR, Goldring Ethos phono cartridges, Meze 109 Pro headphones

Gramophone Dreams #83: Benz Micro Gullwing SLR, Goldring Ethos phono cartridges, Meze 109 Pro headphones

It was almost Christmas, a perfect, chilly, blue-sky day to visit the Met Museum and see the Manet/Degas show before it ended. On my way, walking north on Madison Avenue, I passed the uptown branch of Gagosian Gallery and noticed a brightly lit poster behind thick glass announcing their exhibition of American artist Brice Marden's last paintings. The title of the show was "Let the painting make you," which sounded like an invite and a challenge, so of course I had to go in. I was in the perfect mood to ride in Gagosian's swanky private elevator and see how a famously serious painter with a six-decade career chose to communicate his last thoughts.
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