So, I admired the look of the retro-styled Leak Stereo 130 and 230 integrated amplifiers ($1195 and $1695); noted that the ribbed lines around the chunky black chassis of the Music Hall MMF 9.3 turntable ($2995 with an Ortofon Black cartridge) kinda evoke the grooves of a record; and lusted after the brand new HiFi Rose RA280 integrated ($2995), a 250Wpc GaN-FET amp whose fascia is a toned-down version of its bigger, older brother’s, the RA180 ($6995, reviewed by JM here).
The active (that is, sound-producing) system featured three sets of speakers, played consecutively. In ascending order of price, there was a new floorstander, the Andrew-Jones-designed MoFi Sourcepoint 888 ($4995/pair); an imposing Wharfedale Dovedale standmount ($6995/pair); and the slender, aluminum Piega Coax 611 tower ($19,995/pair), which sports a C212+ coax mid-treble driver and two 6.5’’ woofers.
The analog front end consisted of a Music Hall Stealth 'table ($1649) and a MoFi MasterPhono phono preamp ($6995). A HiFi Rose RS150b network player ($4995) performed digital duties. Amplification came courtesy of a pair of Italian, artisanal-looking Mastersound 845 tubed monoblocks (19,995/pair; KM reviewed the integrated version here), alternating with the HiFi Rose 180 I mentioned earlier. AudioQuest, Cardas, and Isotek supplied cabling and AC appliances.
Due to the changing configurations of the system, the hubbub in the room, and the two-times-three, side-by-side placement of the speakers, I found it hard to draw conclusions about the sonics of any single piece of this complex puzzle. Suffice it to say that I have had very good experiences with recent Piega and HiFi Rose products in my own listening space; and that everything I heard in the MoFi room made me want to learn—and hear—more.






























