You thought ribbon cutting was simple? Not when the esteemed ribbon cutters—from left to right, David Robinson (Positive Feedback On-Line, in white shirt), Michael Fremer (Stereophile and AnalogPlanet.com), Robert Harley (The Absolute Sound), and John Atkinson (Stereophile)—were faced with 1001 photographers, a ribbon that looked as though it was manufactured of industrial-strength mylar, and a giant golden scissors that couldn’t cut its way out of a paper bag. No wonder Bob Levi of the Los Angeles & Orange County Audiophile Society (far left) and show organizer Richard Beers look relieved when the ribbon finally snapped.

Holger Stein (center), designer of the Stein Harmonizers that have such a baffling effect on system performance, was beaming in the Hilton lobby. Perhaps he was thinking about all the attention his new phono cartridge is getting.

Racing in shortly before the show was to begin, Manley Labs’ one-and-only EveAnna Manley was liberally dispensing hugs and smiles in the lobby.

Last year, after my photo of him briefing a cadre of adoring acolytes appeared on this site, Richard Beers forbid me to ever publish pictures of him that were taken unawares. So this time, with his full knowledge and consent, the miracle man whose expertise and persistence makes T.H.E. Show(s) possible, has allowed me to reveal to the world what he looks like at 10:12AM, before his 25th cup of coffee.

It was 10:10AM on Friday, 50 minutes before the start of the T.H.E. Show Newport Beach, and the lobby of the Hilton Irvine was abuzz with activity. Folks were standing 5–10 deep, in multiple lines, waiting to register or retrieve their pre-registration badges. Close by, at the entrance to the lobby, photographers for multiple publications and organizations were establishing turf, staking out the best spot for catching every smile, grimace, and nuance of the 10:30AM ribbon-cutting ceremony. And in the midst of it all, hotel visitors whose deepest association with audio is that it rhymes, more or less, with rodeo were eyeing the whole thing with a mixture of curiosity, incredulity, and downright dread.

Welcome to T.H.E. Show.

Register to win a set of Westone 4R In-ear Headphones (MSRP $599.99) we are giving away.

According to the company:

"The Quad-Driver Westone 4R-Series with durable and removable EPIC cable take your listening experience to an entirely different level. Four symmetrically balanced armature drivers engineered into an advanced three-way crossover network deliver breathtaking clarity, realism, and imaging. Left and right earpiece responses are tested by each driver pack and matched to an extraordinarily tight +/- 2dB tolerance, delivering unparalleled balance and accuracy of sound-stage reproduction. "

[This Sweepstakes is now closed.]

Readers of this space know of my near-boundless admiration for Maria Schneider, the most accomplished and imaginative big-band composer of our time and high up in the pantheon for all time. Her swaying lyricism, muscular rhythms, and kaleidoscopic harmonic voicings—accented with both a Latin tinge and an airiness as spacious as her native Minnesota—rival and, in some ways, exceed the heights of erstwhile mentors, Bob Brookmeyer and Gil Evans.

Now, with Winter Morning Walks, Schneider leaps to still loftier terrain, fusing her jazz sensibility with classical idioms, while staying true to both. . .

This guy cares a lot about his headphones. Though ludicrous, the Beats tattoo is admirable. He's saying, “Music runs through my veins and the Beats pumps that blood.” Would you tattoo “Vandersteen” in cholo lettering in an arch across your back? Would you inscribe “S-O-U-N-D” and “S-T-A-G-E” on each of your knuckles so that if someone insulted your system, your beat-down would arrive in stereo?

How much do you care about your hi-fi?

Aidan Baker’s Already Drowning is our “Recording of the Month” for June 2013. In preparation for our review, I asked Baker a few questions about the album. We discussed literary and musical influences, the songwriting and recording process, and the importance of sound.&#151SM