MQA's Bob Stuart comparing PCM and MQA recordings in the Sunny Components room
Despite there now having been many opportunities for audiophiles to compare MQA-encoded recordings with the PCM originalsas well as comparisons at shows and dealer events, the Norwegian 2L record label has offered downloads of MQA/PCM files for quite a long timethere are still members of the press who insist that no-one, other than some reviewers, has been able to perform such comparisons. At the 2017 LAAS, not only were some exhibitors demonstrating MQAAurender, MeridianCovina, CA retailer Sunny Components devoted the show's Saturday afternoon to specific comparisons hosted by MQA's Bob Stuart and Wilson Audio's Peter McGrath.
In the first of two floor rooms from Elite Audio Systems of San Francisco, Viola Audio Labs' Paul Jayson partnered with Elite's Michael Woods to pair the Viola Bravo 2 amplifier ($58,000) and Viola Sonata preamplifier ($35,000) with Kharma DB9 loudspeakers ($37,500/pair), Linn Klimax LP12 turntable ($25,000), Viola cabling (produced by ZenSati), and an Isotek Titan power purifier ($4999) with matching power strip ($1500). Paul's choice of the Speaker Corner reissue of Michelangeli's live 1979 performance of Beethoven Piano Concerto 1, with Giulini and the Vienna Symphony, enabled me to hear the system's lovely shine and ability to convey extremely rapid timpani rolls with minimal smudging and utmost credibility.
I tend to be skeptical of tweaks. Too often in the past, I have heard an astonishingly audible difference when the whatever is demonstrated by its promoter, only for any difference to stubbornly disappear when I try the same thingamabob in my own system. But listening to the difference when Isotek's Bjorn Hegelsted replaced the cheap power strip and stock AC cords in a MoFi Distribution system using the impressive but affordable Wharfedale Diamond 225 speakers ($449/pair) driven by a Quad Artera Play CD player ($2199) and Artera Stereo amplifier ($2299) with a star-wired, 6-outlet Isotek Polaris conditioner ($495) and Isotek Premier AC cords ($149 each), the improvement in image palpability and dimensionality, the elimination of "shoutiness" on female voice, was extraordinary.
How to conduct a successful MQA demo when the person requesting same already has made up their mind? That question, or some variation thereof, must have run through the mind of Meridian's SW regional sales manager, Courtney Careccia, when the sole attendee (besides me) in her room on a slow Sunday asked for a non-MQA/MQA comparison on her all-Meridian system. After no more than 45 secondsit could have been less, but certainly not morethe man asked to switch to the MQA version, listened for a much shorter time, stood up, declared the whole thing was a sham, and marched out the door. It was almost as if the comparison had never happened.
Following my keynote speech at the ribbon-cutting ceremony Friday morning, my beat at the Los Angeles Audio Show was the Sheraton Gateway's 1st and 5th floors. Even with just the two floors, this was a daunting prospectconsidering that this was the show's debut, it had a larger number of exhibitors than any of us had anticipated. So without further ado, here's the first of my three reports.