The idea of a loudspeaker system whose frequency response could be tailored to suit room acoustics and/or personal taste is one that has always appealed to the high-fidelity perfectionist. Ideally, such a loudspeaker would allow you to raise or lower the level of any part of the audio spectrum to correct for, say, a sharp 370Hz room resonance or a mild absorptive condition that weakens, say, the 800Hz–3kHz range. Obviously, though, this kind of flexibility would require an infinite number of bandpass networks, each with its own volume control—which is an obvious impracticality.

Superb tracking ability, very good imaging and extremely smooth frequency response, plus unusual freedom from mounting problems make this one of the best pickups available and, quite possibly, the best all-around performer we have encountered.

It was great fun having our editorial coordinator, Jana Dagdagan, shoot a video profile of me in my listening room. As I write this, it's had more than 88,000 views. While the ratio of thumbs up to thumbs down has remained consistently around 10:1, some of the negative comments, particularly about our industry and about this magazine, do enrage me.

When I need information about recordings, I go to Discogs. At Discogs, Kevin Gray has more than 2500 entries. That's as good an indicator as any of the amount of ground he has covered in his career so far as a creative participant in the recorded-music art known as mastering. Since starting out in the early 1970s, in Los Angeles, he has worked for all the major music labels and many independents, in all music genres.

The increasing prominence of Blu-ray explains why a device to extract audio from an HDMI stream has become necessary. At first, Blu-ray players had HDMI outputs for video and audio, but to speed their adoption, they also sported analog audio outputs to help users who had older AV receivers (AVRs). Bye the bye, those audio outputs were pared off.