Lately in this space I've focused on all things (rather, some things) analog. This month I return to digital, specifically to streaming. I love listening to records, but I also listen to a lot of streamed music. I'm a Qobuz devotee, since Qobuz is the most approachable streaming service and the friendliest to audiophiles.

G.F. Handel: Handel Arias, Lorraine Hunt Lieberson; Dvořák: Slavonic Dances; John Dowland/Henry Purcell: Songs of Passion; Beethoven: Piano Concerto No.4 In G Major, Sciarrino: Il Sogno Di Stradella; Mozart: Sonata in C, Andante with Variations, Schubert: Duo in A minor; Fantasy in F minor.

Nicole Glover: Memories, Dreams, Reflections; Randy Ingram: Aries Dance; Eric McPherson: Double Bass Quartet.

Jeff Tweedy: Twilight Override; Big Thief: Double Infinity; Blood Orange: Essex Honey; Tedeschi Trucks Band and Leon Russell: Mad Dogs & Englishmen Revisited, Live at Lockn'.

When it comes to phonography, I'm not terribly picky, but I do have preferences. I maintain my records well because I prefer to play clean records, with minimal pops, clicks, and crackle to distract me. I like a phono cartridge that tracks average platters perfectly and difficult sides at least very well.

In the context of a modern hi-fi system, phono cartridges are most akin to loudspeakers in that both are electromechanical transducers. Cartridges convert the mechanical movements of a stylus tracing a record groove to an electrical current.