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Hip hip hooray ....... The links are working :-) .........
Audio Research VT150 monoblock power amplifier ($11,990/pair; reviewed by Robert Harley, Vol.17 No.8, August 1994)
Another very strong group of nominees, the contenders for the amplification crown ranged from the delightful little HeadRoom Supreme headphone amplifier, which has brought me hours of musical pleasure on the move, to the latest assaults on the state of the amplifier art from those long-time bastions of high-end electronics, Krell, Mark Levinson, Conrad-Johnson, and Audio Research.
The Vendetta is the odd man out, no longer being in production since the Berkeley fire destroyed designer John Curl's stock of parts and boards. (John Curl is offering Type C and D (diode) upgrades to present owners for $500 and $250, respectively.) It was available for nomination because it keeps on popping up its head in reviews as Stereophile's reference phono preamplifier.
The winner by a large margin in this category was the Audio Research VT150 monoblock. "You've set the audio industry back 20 years!" Audio Research's Bill Johnson was accused of doing this in 1970. But, a quarter-century later, the sum of everything he knows about power-amplifier design is embodied in the VT150. With audiophiles commonly equating the word "tube" with adjectives like "antique" and "obsolete," it could easily be forgotten that Bill has been producing sophisticated, cutting-edge circuits that, if they used solid-state devices instead of tubes, would be hailed as innovative. Yet he chooses to use tubes. "We simply find that an analog signal going through a vacuum tube doesn't seem to be harmed, whereas putting it through any kind of a semiconductor seems to hurt it," he told Robert Harley last August. "Frankly, whether we like it or not, the tube is simply a better device for audio."
The utilitarian-looking VT150 features balanced inputs and circuitry and is the first Audio Research power amplifier in ten years to use vacuum-tube regulation. Robert Harley's initial reaction when he auditioned the VT150s was that they sounded a little closed-in and subdued in the treble. Then he realized that what he wasn't hearing was the treble grain, etch, hardness, brittle textures, and that steely sound in the upper midrange and treble that we hear in reproduced music but not in live music. "The VT150s presented an astonishingly believable and natural rendering of timbre," he reported in his review. "Instead of hearing a hi-fi representation of the music, I felt I was hearing the music itself."
Finalists (in alphabetical order):
Audio Research LS5 preamplifier ($4995; reviewed by Robert Harley, Vol.17 Nos.8 & 12, August & December 1994)
Conrad-Johnson Premier Eleven stereo power amplifier ($3295; reviewed by Sam Tellig & Wes Phillips, Vol.17 Nos.2 & 10, February & October 1994 Review)
HeadRoom Supreme headphone amplifier ($399; reviewed by John Atkinson & Thomas J. Norton, Vol.17 Nos.1 & 2, January & February 1994 Review)
Krell KSA-300S stereo power amplifier ($9500; reviewed by Thomas J. Norton, Vol.17 No.1, January 1994 Review)
Mark Levinson No.38 preamplifier ($3995; reviewed by Robert Harley, Vol.17 No.8, August 1994 Review)
Vendetta Research SCP-2C phono preamplifier (reviewed by J. Gordon Holt, Vol.11 No.6, June 1988; Robert Harley, Vol.15 No.11, November 1992, & Vol.16 No.9, September 1993; and Thomas J. Norton, Vol.15 No.1, January 1992, & Vol.17 No.3, March 1994 Review)
Hip hip hooray ....... The links are working :-) .........
Looks like we finally have a new technical editor who knows what he is doing ....... May be he is a new member of the Stereophile staff? :-) .........
I think that the Sennheiser HD580 headphones could have been a good choice, now a true classic and still desirable, and the Grandmother of the HD580 Jubilee, HD600, HD650, and some more recent additions from Sennheiser and MassDrop.
https://www.stereophile.com/headphones/1294senn/index.html
Look at the measurements of Sennheiser HD-580 on Inner/Fidelity website ........ Not that great in bass frequency below 100 Hz :-) .........
I would not judge them in retrospect against modern alternatives. Headphones have gotten better. A family of headphones that started with the HD580 remains very popular, and seems to have seen a new resurgence in popularity at MassDrop.
There were other headphones available in 1994. Some had better bass, but that came in combination with a different set of shortcomings. With the Sennheiser HD580, to me the errors seemed to be errors of omission, and those errors seemed to be more easily overlooked with the music I prefer. So I bought a pair in mid/late 1990s, very much enjoyed thousands of hours of listening through them, and my opinion is likely biased by that positive experience.
I would suggest that if somebody wants to listen to music heavy with synthetic bass, various genres spanning from 1970's disco music though the various follow-on genres that over-utilized subwoofers, then they should probably look elsewhere. I prefer other music.
For jazz and classical and blues, for most of the music recorded before disco, and for a lot of music that has been recorded since, I think that the original HD580 was a fine choice, and the original HD580 Jubilee Edition and HD600 might be better choices.
I think he should have chosen the Sennheiser HD580 headphones. https://www.stereophile.com/headphones/1294senn/index.html
The Sennheisers weren't reviewed until December 1994 so weren't eligible for the 1994 awards. As it says in the foreword, "To be a contender, a product had to have been reported on in Stereophile between the November 1993 and October 1994 issues."
John Atkinson
Technical Editor, Stereophile
I would have chosen the Dunlavy SC-IV as the Editor's choice ........ Excellent engineering :-) .........
John Dunlavy extracted some very good performance from the set of inexpensive Vifa drivers that he used in the SC-IV. He upgraded the woofers to ScanSpeak in a later variant. His crossovers were well developed and were far from being over-simplified.
Your Dunlavys might have been good but the little Monitors are still in Production and still outstanding.
What ever happened to Dunlavy ?
Tony in Venice
ps. these guys were reviewing with Krell Amplification, doesn't Krell make everything sound wonderful ?
AFAIK, Dunlavy designed the Duntech Sovereign loud speakers ....... Duntech still lists them as in production on their website ........ I don't know what happened to Dunlavy :-) .......
I don't know what happened to Dunlavy
John Dunlavy passed away in 2007 at the age of 78. In poor health, he had sold the Dunlavy company at the end of 2001 to pro-lighting company Wybron. I interviewed John in 1996: see www.stereophile.com/interviews/163/index.html.
The new owners of Dunlavy loudspeakers shut it down in November 2002: see www.stereophile.com/news/11492/index.html.
John Atkinson
Technical Editor, Stereophile
May be Stereophile could review one of the new Duntech speaker models ....... Sovereign may be too big ....... Duntech Marquis seems to be the right size :-) ........
May be Stereophile could review one of the new Duntech speaker models ...
That would be up to Jim Austin, but as far as I am aware, Duntech loudspeakers are not currently distributed in the USA, though some mastering studios use them.
John Atkinson
Technical Editor, Stereophile
Can we bribe Jim Austin with a bottle of Tennessee Honey? ........ Just kidding :-) ........
Pose or ponder something
then... Poof,
The accurate background informs us !!!
Mr.JA1 is a Wikipedia or Audiopedia or even a Stereophedia to our Canadian friends.
Tony in Venice
ps. I just gotta say that our beloved Steve G the Audiophiliac is interviewing Rachel from Grant Fidelity, a Chinese Lady explaining the complex China Marketplace.
Steve G pointed me at this Headphone back in 2011, long after it's being discontinued. It remains a better transducer than any "ANY" Loudspeaker Transducer system I've ever heard. ( of course, I haven't heard em all but I've certainly owned any dam loudspeaker I wanted. )
Still, did we have Superb Asgard 2 type headphone amplification in 1994 ?
In 1994, I probably would've nominated the LP12 & LS3/5a. Both are enduring greats !!!
Tony in Venice
ps. maybe even a pair of Linn Kans and matching stands , MIT 750 Music Hose & any Koetsu .
It would be interesting to compare the top loudspeaker of this period, or say, the Dunlavy V.I. with the Wilson Chronosonic of today.
I trip back in time! J.A.
I still have this issue and had celebrated my 1st year as a subscriber (1993 to Present Date).
"The Vendetta is the odd man out, no longer being in production since the Berkeley fire destroyed designer John Curl's stock of parts and boards. (John Curl is offering Type C and D (diode) upgrades to present owners for $500 and $250, respectively.) It was available for nomination because it keeps on popping up its head in reviews as Stereophile's reference phono preamplifier."
I remember when it happened. I was making marble paper in the backyard, looked over my shoulder, saw this huge plume of smoke coming out of the hills.
... how many buyers decided that the $1800 Arcam Delta 100 cassette deck (with its Denon sourced mechanism) was a better choice than the similarly priced Nakamichi CR-7A?
Or, if you simply had to have Dolby S, then either the significantly less expensive TEAC V-8000S or the Sony TC-K909ES.
May be those buyers played 'Guardians of the Galaxy' mix-tape and decided that Arcam cassette deck sounded the best :-) ........
I have been playing around with my old Denon deck and it always surprises me when I do. I recorded a Helene Grimaud stream concert last week on both my Tascam DR-2d at 2496 and on the Denon and enjoyed them both as I doubt the stream was a high bit rate, but enjoyed it. I sure enjoy Ms. Grimaud's playing and the Phildelphia Orchestra is great. Miss the days the FM taping.