Outlaw Audio RR2160 stereo receiver Associated Equipment

Sidebar 2: Associated Equipment

Analog Sources: AMG Giro G9 turntable & 9W2 tonearm; AMG Teatro, EMT TSD 75 cartridges. Linn Sondek LP12 (Valhalla), SME M2-9 tonearm, Hana EL cartridge.
Digital Sources: Mytek HiFi Manhattan II, Schiit Audio Yggdrasil DACs; Integra DPS-7.2 DVD-A/CD player.
Preamplification: Auditorium 23 EMT, Bob's Devices CineMag 1131, Lounge Audio Copla step-up transformers; Lounge Audio LCR Mk.III, Parasound Halo JC 3+, Tavish Design Adagio phono preamplifiers; HiFiMan EF1000, Linear Tube Audio MZ2, Pass Laboratories HPA-1, Rogue Audio RH-5, Sony TA-ZH1ES preamplifier/headphone amplifiers.
Power Amplifiers: Bel Canto Design REF600M, First Watt J2, Pass Laboratories XA25, PrimaLuna ProLogue Premium.
Headphones: Audioquest NightOwl, HiFiMan HE1000 V2 & Susvara, JPS Labs Abyss AB-1266 Phi, Sony MDR-Z1R.
Loudspeakers: DeVore Fidelity Orangutan O/93, KEF LS50, Magnepan .7, Stirling Broadcast LS3/5a V2, Zu Audio Soul Supreme.
Cables: Digital: Kimber Kable D60 Data Flex Studio (coaxial). Interconnect: AudioQuest Cinnamon, Kimber Kable Silver Streak, Wireworld Eclipse 7 & Silver 7. Speaker: AudioQuest GO-4, Auditorium 23. AC: manufacturers' own.
Accessories: Harmonic Resolution Systems M3X-1719-AMG GR LF, PS Audio PerfectWave PowerBase isolation platforms; Dr. Feickert Analogue Protractor NG & Adjust+ software; Acoustical-Systems SmarTractor cartridge-alignment protractor; Musical Surroundings Fozgometer cartridge-azimuth meter; AudioQuest Anti-Static, Hunt E.D.A. Mark 6 record brushes.—Herb Reichert

COMPANY INFO
Outlaw Audio
PO Box 975
Easton, MA 02334
(866) 688-5292
ARTICLE CONTENTS

COMMENTS
Eddie R's picture

A terrific review as always. Would it be possible to compare the Stirlings to the Falcon Acoustic LS3/5a? Two different approaches to re-creating the same speaker. I owned a pair of Chartwells. Wish I still had them.

Thank you!

Ortofan's picture

... Yamaha R-N803, which is comparably priced, but includes an automatic room correction equalizer.
https://usa.yamaha.com/products/audio_visual/hifi_components/r-n803/index.html

Shahram's picture

Stereophile never reviews anything made by Yamaha. Why is that?

tonykaz's picture

It even has a: pre-out to amp-in, like the Vintage NAD 3020 and can handle a moving coil phono cartridge. ( if a person can afford a record player with all that added expense )

Is this Outlaw a Class B recommendation or Class A- or where will it place on the Annual List ?

Anyway, Stereophile is doing some hell-of-a-reporting job now-a-days.

These various probes into Vlog ( as Tyll demonstrates ), video journalism as Jana has been apprenticing on, Live stuff like HR & Jana just did at NYAudio Showing ( I wish they would've covered the Electrocompaniet Room ) and the daily Vlog that SteveG. & Paul at PS Audio are doing are all :

Summable into a successful market place tool. ( as evidenced by Casey Neistat & Jimmy DeRista -- both NYers ).

Stereophile Staff are about to Unlock magic.

This is working up to be an exciting 2018!

Tony in Michigan

ps. somebody here is going to have one go Viral !!!

DaleC's picture

"But on the third day the Outlaw RR2160's DAC rose up to sing, with quivering reverberant believability".

I'm curious if that means that the DAC changed in some way or was the difference due to source or speakers chosen?

Herb Reichert's picture

changed in "some way" as most electronics do after they've been powered up for an extended length of time

audio1321's picture

Would like to see how this compares to a 1976 Marantz 2325. If you want features and a beautiful faceplate, this is the integrated amp to get. They don't make them like they used too!

Shootr's picture

You succeeded in making audio only attractive to the very rich and the very arrogant. Thanks. Lucky for me I bought equipment when it was still priced in earthly amounts. I've listened to the "audiophile" equipment you people rave about. Mine is better than most of it and I paid a small fraction of what you describe. I'm sure if I mentioned the brand the arrogant side of the audiophile crowd would kick in and kick down everything they thought wasn't expensive enough. I remember when the whole country wanted audio equipment. Now you're the only ones. Do you really think you did the world a favor? I've driven super fast cars too. I find no use for them whatsoever. There's nowhere to drive 200 mph anywhere near where I live and they don't drive any better than some regular priced cars. And by regular priced cars I include my Mercedes S500 that's well used and affordable. That's the same way the audio industry is. It may be a lot more expensive but it isn't all that great. And BTW I was the sound engineer for some very successful bands so spare me your golden ear theories. People liked my work.

bdaddy62's picture

Yeah it’s like that....Herb seems to be more than sympathetic in real life but in that fantasy world that the majority of readers of this mag and TAS live in ...a job is a job. I keep a copy of the TAS buyers guide ( got the 2018 last month) just for shits and giggles, those $500,000. speakers are in there. Every well adjusted human no matter how well heeled I show this stuff to....laughs at first and then raises an eyebrow in confusion and dismay.....

David Harper's picture

good review but would have been more interesting if instead of the overpriced high-end associated equipment it was listened to with Elac B6 speakers and maybe an Oppo 203 player, the kind of stuff that more grounded people would use it with.

Herb Reichert's picture

I absolutely understand the concept you allude to -- and generally I try to make whatever efforts I can (with whatever gear I have at my disposal) in that direction. But objectively, I do not see how using a less refined speaker, or a DAC I am not familiar with, would reveal much more about the character of the Outlaw. My goal is to acurately elucidate a product's general BASIC character - so then perhaps you can predict how it might sound in your system.

Stardust Emblem's picture

A good entry into the world of audio is always satisfying.

There are a lot of bad amplifiers, so stereophile can guide newcommers to audioland and pick up the good stuff.

In my case i bought bad amplifiers and loudspeakers, till i came at home with a wonderfull sounding NAD amplifier who is a far familymember of the 3020. The DNA is in, and yes it is playing for almost 18 years.
It is a China NAD, but i can not hear it how it sounds.

The outlaw RR2160 can have the same effect to others. I would say, go and try it.

TedWithey's picture

I want to preface this comment by saying that I’ve been reading stereophile since you were only a monthly magazine and have always loved it. It was one of your reviews that gave me my great (cheap) Adcom amp that I still use (May they Rest In Peace).

Using the high end equipment listed to test a budget component is understandable. You have probably been listening to ultra-expensive components for so long that using any other equipment would leave you wondering what unit was the bad link in the chain. I get that, but I also have been playing sax professionally at small venues in LA for more than 20 years and can tell you price does not follow quality sound. If I had to use a $40k amp and a $30k microphone connected using $20k in cabling every time I did a gig I’d never work again. I simply can’t afford to spend that much on equipment and have made an audience cry playing John Coltrane and Sonny Rollins. Sometimes I wonder if any of you reviewers ever go to live concerts.

I have visited some of the most extreme high end b&m audio stores in LA and have found much of the snobatorium equipment severely lacking when comparing it to live play. I only wish live music sounded as crisp and flawless live as it does through $50k in home audio gear. Most of that gear makes it sound so tonally pristine it’s artifical. Any and all audio equipment colors the music, even expensive gear. I would like to see you review more cost effective equipment like this but review them together. Most people can’t afford tinny sounding B&W Diamond speakers and overly bright Luxman amps. At least if you did review “lesser” gear more often you could dispel any belief that you are just in the pockets of expensive equipment manufacturers.

David Harper's picture

audiophiles equate price with sound quality. A ten thousand dollar amplifier MUST sound a little bit better than a nine thousand dollar amplifier. A thousand dollar wire MUST sound better than a twenty dollar wire.It's placebo LA-LA land. Where anything subjectively imagined is valid and credible. IMO this trend began with The Absolute Sound. In the 1980's TAS was responsible for the most imaginative and fantastic nonsense ever printed about the sound of audio components.

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