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With a great system, it is hard to listen to a poor recording. Luckily, you can usually find a great recording of great performance.

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I'll go with the old addage, "you can fool some of the people some of the time, and sometimes all of the people some of the time..." (not sure if this goes hand-in-hand with the question)...none the less, some really great music is produced God awful, and some really awful music fell into the hands of great producers and sounds great, even though the recording artists never should have seen the inside of a recording studio. For the remaining 10% or so in my collection, where the music, recording artists, and the producers were all genuinely n-synch, you have magic. But then again, beauty is in the eye of the beholder. It's all subjective.

Exact opposite of the previous question, where I measured 80% of my collection as "great music." Hey, this classical stuff that is most of my collection has lived 100+ years, and people still want to hear it. Audio quality is a different matter, a max 20% "great." A good recording of acoustic instruments will make the performing space clearly audible. Most multi-miked recordings are a phasey, undifferentiated mash of space-free highlighting. Feh!