Tube Power Amp Reviews

It's been 10 years since Balanced Audio Technology (BAT) introduced their first products: the VK-5 line-stage preamplifier and the VK-60 power amplifier. (I reviewed both in the December 1995 Stereophile, Vol.18 No.12.) The success of these and other BAT products has allowed designer Victor Khomenko (the "VK" of the model designations) and partner Steve Bednarski to quit their day jobs at Hewlett-Packard; they were joined by Geoff Poor as a partner to handle the sales end of the enterprise. BAT's current lineup includes several preamps, phono stages, a CD player, and tube as well as solid-state amplifiers. The top of BAT's preamp range is the VK-51SE, which costs $9000; their top tube power amp is the VK-150SE monoblock ($17,000/pair); if you want their best phono stage, the VK-P10 will set you back $8000.

At the last few audio shows, whenever I heard a pair of the big Cary CAD-1610-SEs, I fair licked my chops. The two-tiered monoblock looked positively stunning in black and polished aluminum, exotic tubes bristling from the top "floor" of its two-story edifice. The Cary always induced pelvic tilt in me—you know, when your lizard brain takes over and tube lust is in the air.

Some audiophiles tend to get a mite sniffy around those of us who have expensive tastes and limited budgets. I've always been willing to spend the price of a new car on a set of speakers, but I never had the cash or credit. The sonic virtues of hefty, high-powered Krells and wondrous, single-ended tube designs always enchanted me, but when you're raising a family you make do. Through my experiences in a high-end audio establishment I learned the metaphysics of mixing and matching as befits my lowly caste, and I gradually developed sophisticated reference points, so that as the years swept by I managed to inch my way up the aural food chain.

The VTM200 is the first Audio Research power amplifier I've reviewed. It took me 13 years, and ultimately I'm glad I'd put that much mileage on my reviewing odometer before tackling what turned out to be a most difficult assignment.

One of my best friends is a serious jazz collector with a side interest in good replay gear. The last time we got together over a meal, he asked, "What do you think is really the most important component in an audio system?" He might have added "these days": It's a subject we come back to from time to time.

I dig tube amps. When all's said and done, good tube amps seem to sound more like real life than most solid-state gear; even after listening to and enjoying the hell out of musical solid-state designs like the Audio Research D-240 II and the Muse Model One Hundred, once I hook up the big VTL Deluxe 225s again it's just like going home. I could go on about timbral accuracy and clearer midrange textures, but the bottom line is, music just plain sounds better when you shoot it through good tubes, and once most people experience that magic, they're hooked.