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Hitting the show circuit without their usual running buddy, Greg Roberts of Volti Audio (who is taking a much deserved break), BorderPatrol's Gary Dews and Triode Wire Lab's "Triode Pete" Grzybowski joined forces with Living Voice Loudspeakers of Long Eaton, Derbyshire, UK.

Audio Note’s Adrian Ford-Crush maintains a sweet vinyl stash. So whenever time allows, I hide out in his room and check out the sounds. For this show, all the way from London, Ford-Crush brought Count Basie's fantastic Roulette recording Chairmen of the Board, a Blue Note Classics edition of Hank Mobley’s hard bop treatise No Room for Squares, Cannonball Adderley’s Quintet Plus, and Mad Professor’s 40 Years of Dub.

All man hands were on deck for the US debut of the Italian-made Riviera Labs AFM 100 monoblock power amplifiers, brought to the show by Riviera Labs President of Sales and Marketing Silvio Delfino and Tone Imports' Jonathan Halpern. Also in attendance was Wadax SA's Brandon Lauer and Bending Wave/Göbel Loudspeakers distributor Elliot Goldman.

Not content to consistently produce some of the best sounding rooms at CAF year after year, Harry and Mat Weisfield changed up almost all their ancillary gear from 2022, but the sound remained fantastic.

On A Higher Note’s Philip O’Hanlon is typically seen at shows playing unusual records while entertaining attendees with his charming storytelling and Irish brogue. This was something different.

Ampsandsound is perhaps best known for his amplifiers made to drive either headphones or loudspeakers. (See for example Herb Reichert's Gramophone Dreams #47.) At this show, however, Ampsandsound manufacturer/designer Justin Weber was showing his Arches monoblocks ($50,000/pair), which put out up to 65W each with KT-88 tubes or 85W each with KT-150 tubes.

Can you judge an exhibitor's products by the music he plays? Perhaps not, but when I walk into a room playing "Hotel California," that mad percussion ditty "Music for Bang, Baa-Room and Harp," 90s grunge (footnote 1), or God No! Jazz at the Pawnshop, it's all I can do to stay put and not scream.