AXPONA 2025

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Ken Micallef  |  May 01, 2025  | 
At this year’s AXPONA, Christopher Hildebrand of Fern & Roby introduced a new system that combined striking design with serious analog and digital performance.
Jason Victor Serinus  |  Apr 30, 2025  | 
As the former owner of an Aragon 8008 power amplifier, I was curious to see how the company’s products have evolved. I used to admire the amp’s V-shaped heatsinks and felt lucky to own it. It was the second high-end amplifier I bought, and a major upgrade over the bright-sounding Adcom that came before it.
Jason Victor Serinus  |  Apr 30, 2025  | 
First unveiled in passive display at Munich High End 2024, the new D’Agostino Pendulum Integrated amplifier made its US consumer audio show debut in two places at AXPONA 2025: a hallway setup—where listening was possible only at close range—and in a room sponsored by Innuos.
Jason Victor Serinus  |  Apr 30, 2025  | 
In two adjacent rooms on the 14th floor of the Renaissance Schaumburg Hotel, Innuos launched its latest Stream1 and Stream3 devices. Conceived as “the gateway to high-performance music,” the Stream series works with the Innuos Sense app. The app’s latest additions include a portal to the IDAGIO classical-music streaming service, Spotify Connect, Qobuz Connect, and more.
Ken Micallef  |  Apr 28, 2025  | 
Justin Weber of Ampsandsound greeted AXPONA with the world premieres of two products hand-built in his Aliso Viejo, California, factory: the Black Pearl XL SE 300B amplifier and the horn-loaded Sasquatch three-way speakers.
Ken Micallef  |  Apr 28, 2025  | 
Steve Mishoe of True Source Audio Distribution originally introduced me to Shindo Laboratory and DeVore Fidelity—brands that shaped my listening sensibility and critical framework. His colleague Steve Cohen often assists with system setup and calibration. In fact, he helps with every review I write for Stereophile, fine-tuning gear and speaker placement and acting as a sounding board.
Ken Micallef  |  Apr 28, 2025  | 

Treehaus: The name conjures bark and birdsong, but its products are pure Klangbildvergrößerungsmaschinen*. Rich Pinto of Treehaus Audiolab creates gear that fuses sonic beauty with sculptural woodwork and the control of a practiced hand. All circuitry and internal construction are the work of Radu Tarta, a designer known for his meticulous builds.

Ken Micallef  |  Apr 28, 2025  | 
Charlotte de Witte’s Sanctum, my current techno obsession, was already spinning when I stepped into the Audio Note UK room. Sales exec Adrian Ford-Crush stood nearby; across the room, founder Peter Qvortrup — the company’s resident iconoclast — paged through Kate Crawford’s Atlas of AI, a scathing look at the environmental and ethical costs of artificial intelligence. But then the music took over, as it always does in this room.
Ken Micallef  |  Apr 27, 2025  | 
At AXPONA 2025, Jonathan Halpern of Tone Imports and Matt Rotunda of Pitch Perfect Audio teamed up in room 2025. Very au courant. I first met Halpern and speaker designer John DeVore years ago, when both worked at Steve Mishoe’s In Living Stereo, a high-end store in New York. Their careers have long intersected—and so has their gear.
Jason Victor Serinus  |  Apr 27, 2025  | 
It was good to catch up with Eelco Grimm and John-Paul Lizars before sitting down to hear the Grimm Audio LS1c two-way active speaker system with SB1 motion-feedback subwoofer ($38,000–$44,150/pair, depending on finish and tariffs).
Ken Micallef  |  Apr 27, 2025  | 
Mark Sossa of Virginia-based distributor Well Pleased AV brought a sweet lineup to Chicago, including the world-premiere Merason Mountain DAC ($20,000).
Ken Micallef  |  Apr 26, 2025  | 
Angie Lisi of American Sound Distribution exhibited several systems in multiple spaces. Room 1620 showcased gear from Grimm Audio, Wadax, Analog Relax, Avantgarde, Phasemation, and Rethm; Room 1642 offered a more compact setup focused on the latter three brands.
Ken Micallef  |  Apr 25, 2025  | 
Rogue Audio’s Bill Magerman and Nick Fitzsimmons introduced the RP‑3 at AXPONA 2025—a new preamp that’s tube-equipped and unmistakably Rogue. The RP‑3 ($3495) is a feature-packed machine with two 12AU7 tubes in a mu‑follower design, a remote control, home-theater bypass/unity-gain inputs, three sets of RCA inputs, and two pairs of XLR inputs. Also on-board: a mono button, a tube-based high-power headphone amp, linear power supplies, and a three-year warranty. Like all Rogue gear, it’s made in the USA.
Ken Micallef  |  Apr 24, 2025  | 
AXISS Audio, led by president Cliff Duffey, made a bold showing at AXPONA 2025, with five rooms and as many product debuts.
Jason Victor Serinus  |  Apr 23, 2025  | 
Among the many systems at AXPONA 2025, Magico’s claimed the triple crown: most expensive, most imposing, and most sonically impressive. Entering the hushed, curtained-off, two-story Club Room felt like crossing into sacred space.

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