AXPONA 2025

I’ve commented on this combination so often—five of these eight brands occupy my music room—that I didn’t linger long in Quintessence Audio’s excellently assembled “Knowledge” room. That didn’t stop me from admiring the contrast between the riveting yellow finish of Wilson Audio’s Chronosonic XVX loudspeakers ($387,000/pair) and the bold black-and-copper livery of Dan D’Agostino Master Audio Systems’ Relentless M800 monoblocks ($195,500/pair). I began to wonder if the lovely blue of my Wilson Alexia Vs is a bit too sedate. When I chose my speakers’ finish I almost opted for the perfect shade of orange—bolder, like the XVX’s yellow—and now I wonder what the past few years might have sounded like had I gone that route.<

In the Renaissance Hotel’s Connection room, Quintessence Audio of Morton Grove, Illinois presented Boulder’s new 1151 power amplifiers ($48,000/pair as monoblocks, see Stereophile’s June issue), a 1110 preamp ($24,000), and a 1108 phono preamp ($24,000), all making their AXPONA debut.

At Munich High End 2024, my biggest discovery was Switzerland’s Wattson Audio. It’s easy to hear a sonic kinship between Wattson and its new owner, CH Precision—an affinity that helped explain CH’s acquisition of the company last year.

At the same time that Ryan O’Connor, president of Revox North America, was pitching the reel-to-reel revival to dealers, Revox Deutschland—the brand’s German distributor—unveiled a slate of new products, including two that are Alice Cooper–branded. No, seriously. Swear on my eyeliner budget.

Once again, my time in the Vandersteen room provided copious pleasure. Plus, it came in two installments: listening time in the inner sanctum, and chat time with Richard Vandersteen and Brad O’Toole in the entrance chamber. If that sounds rather exotic for a two-room hotel suite, you needed to be there.

Steve Jain of Fidelity Imports seeks out high-quality audio brands poised for greater recognition. While some, such as Wilson Benesch—now distributed in the US by Fidelity—are already well-established in the industry, Jain’s commitment is evident in his support of respected manufacturers like Perlisten, Knosti, QED, Unison Research, and Audia Flight.

In room 1521, I caught up with Wayne Colburn—longtime preamp wizard for Pass Labs (and Threshold Audio before that)—and Kent English, the company’s veteran head of sales. Colburn was debuting his new 85 lb XS Pre 2 line-stage preamp ($55,000), which he called a step up from the XP-32.