AXPONA 2025

The Palm Ballroom and adjacent rooms hosted systems from Acora Acoustics, Scott Walker Audio, and VAC—an ambitious collaboration by Valerio Cora, Scott Walker, and Kevin Hayes. The trio presented a range of well-curated systems.

No fewer than five Stereophilers visited Fidelity Imports’ Utopia-D room during AXPONA 2025. I focused on the Audia Flight Strumento No.8 monoblocks ($34,999/each) that had joined forces with Audia Flight’s Strumento No.1 EVO preamplifier ($29,995), an FLS 20 SACD player/streamer ($21,999), and a Flight Phono ($6999).

What I thought would be a quick hello to distributor Wynn Wong of Wynn Audio—accompanied by his wife, Candy, and their adorable 15-month-old daughter, Victoria—turned into a tour of premieres from three companies. Technically four, if you count Victoria’s AXPONA debut.

At AXPONA, Nagaoka’s Miyuki Nishii and Jie Ma joined Technics’s Bill Voss to present the full line of Nagaoka cartridges. The Japanese manufacturer is currently seeking US distribution, after years of limited availability in the American market due to a less-than-responsive distributor.

I’ve commented on this combination so often—five of these eight brands occupy my music room—that I didn’t linger long in Quintessence Audio’s excellently assembled “Knowledge” room. That didn’t stop me from admiring the contrast between the riveting yellow finish of Wilson Audio’s Chronosonic XVX loudspeakers ($387,000/pair) and the bold black-and-copper livery of Dan D’Agostino Master Audio Systems’ Relentless M800 monoblocks ($195,500/pair). I began to wonder if the lovely blue of my Wilson Alexia Vs is a bit too sedate. When I chose my speakers’ finish I almost opted for the perfect shade of orange—bolder, like the XVX’s yellow—and now I wonder what the past few years might have sounded like had I gone that route.<

Craig Hoffman, co-founder and managing director of Rhythm Distribution, presented a system in Room 1229 built from components sourced across Switzerland, the UK, Sweden, and Japan.