Hegel H150 Integrated Amplifier Officially Announced
Sonus faber Announces Amati Supreme Speaker
FiiO M27 Headphone DAC Amplifier Released
Audio Advice Acquires The Sound Room
Sponsored: Pulsar 121
CH Precision and Audiovector with TechDAS at High End Munich 2025
KLH Model 7 Loudspeaker Debuts at High End Munich 2025
Marantz Grand Horizon Wireless Speaker at Audio Advice Live 2025
Sponsored: Symphonia
Where Measurements and Performance Meet featuring Andrew Jones
Sponsored: Symphonia Colors

LATEST ADDITIONS

Quintessence–Sonus Faber–REL–Audio Research

Chicagoland dealer Quintessence devoted a large ground-floor room to the Fine Sounds groups of companies—Sonus Faber, Audio Research, Wadia, and Sumko/REL—along with the superb racks from Harmonic Resolution Systems and a Clearaudio/Benz Micro LP player. A pair of the Sonus Faber Amati Futura speakers that I reviewed in May 2012 ($36,000/pair) was being vertically bi-amped with two tubed Audio Research Ref250 monoblocks driving the midrange/tweeter sections and two solid-state Audio Research DS450M monoblocks for the woofers. No fewer than four REL powered subwoofers were handling the low bass. Preamp was the Audio Research Ref5 SE that Brian Damkroger and Bob Reina raved about in Stereophile.
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Quintessence Shows off the Focal Grand Utopia EMs

The mighty Focal Grand Utopia EM loudspeakers ($190,000/pair), which use field-coil energized woofers, took pride of place in one of the two big rooms on the Doubletree's ground floor sponsored by Chicagoland dealer Quintessence. Driven by two-chassis Pass Labs Xs300 monoblocks with Kubala-Sosna cabling throughout the system, both the 1950s Duke Ellington and Johnny Hodges collaboration "Back to Back" and the Reference Recordings Rutter Requiem were reproduced with a stunning combination of vocal purity and instrumental majesty. Source was a file fed by USB to a Playback Designs player/DAC.
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Fresh Vinyl—Get Your Vinyl Here!

As in other shows, the Chicago AXPONA devoted a ballroom to the software vendors who feed our passion for music. Even before the show officially opened on Friday, a healthy crowd was browsing Music Direct's, Elusive Disc's, and Acoustic Sounds' racks'o'vinyl while Josh Bizar, Director of Sales and Marketing for Music Direct and Mobile Fidelity, acknowledges the camera.
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Ediots . . . I mean Editors and Then Some

That is not a feeble attempt at a joke; it really is how Mr. Freud forced this Contributing Editor to slip on the word “editors.” Perhaps I was thinking of The Absolute Sound Executive Editor Jonathan Valin, who not only pulled a no-show for the Friday and Saturday afternoon 90-minute Editors panels—pre-show promotion and the show guide had advertised his participation, with Robert Harley—but also attempted to erase from history, in his online AXPONA report, the rather significant fact that the last major audio show in Chicago was not the 1994 Consumer Electronics Show, as he claims, but rather in 1999, when the Stereophile show came to the Windy City. Is such competitiveness really necessary, given how different the two magazines are?

The moderator for both panels was the extremely articulate and informed Bes Nievera of Music Direct and also a host on Chicago area public radio station WDCB, who just happens to be a long-time audiophile. Panelists included (left–right), from TAS, Editor-in-Chief Robert Harley; from DaGoGo.com, Senior Editor Ed Momkus; from Stereophile and an embarrassingly long list of other publications, Contributing Ediot Jason Victor Serinus, and Stereophile’s Editor-in-Chief John Atkinson.

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You Never Know Just Who...

Just as I was about to chat with the good folks from Music Direct and Musical Surroundings, what did I happen upon on the mezzanine level but an animated conversation between Stereophile's editor in chief John Atkinson and two of AudioQuest's finest, Joe Harley (left) and Shane Buettner (right). (They were discussing Art Dudley's recent review of the Beatles LP box.) In Buettner's happy hands, at my request, is a sign about Stereophile's Budget Product of 2012, the AudioQuest DragonFly.
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Legacy

Bill Dudleston didn't haul Legacy's mightiest marvels to AXPONA, but what he did bring had great potential. Unfortunately, the huge 10' high airshaft above his room basically did in what I heard. His first system, which alternated between the Legacy Aeris in Sapele Pommele finish (outer speakers, starting at $17,750/pair), which I auditioned, and Legacy Signature SE in Rosewood finish (starting at $6450/pair), also included Coda's CSX amplifier ($6000) and CP preamplifier ($3500), Ayon's CD 2S ($6350), and Morrow Audio SP7 Grand Reference speaker cables ($1499/pair) and MA6 Grand Reference interconnects ($899/pair).
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To-Morrow is Not Just Another Cable

With deepest apologies to Scarlet O'Hara, and perhaps even deeper apologies to the Deep South and Bad Pun Police, it's time to toot the horn of Morrow Audio of Northern Kentucky. Mike Morrow (on the left), who began the company in 2006, came to AXPONA with Larry Love (on the right) to proudly announce Morrow Audio's partnership with Legacy. Morrow, who initially started out as a Legacy dealer, has seen his business grow 25%/year. Currently selling direct on the net, he and Love have plans to start a dealer network. When? Well, tomorrow is another day.
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Cables by Gingko

Gingko Audio, known for its isolation platforms and turntable covers, has recently begun marketing DanaCable. Gingko's Doug Williamson was happy to show me samples. Manufactured In Colorado Springs, the cables range in price from the Deluxe Line Onyx ($395/1m pair unbalanced interconnects) to the Reference Line Diamond ($1100/1m pair unbalanced interconnects, add $300 for balanced). The company also manufactures speaker cables and digital cables. "They sound better in room 926," Williamson quipped.
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Music Direct's Show Specials

Music Direct did more than assist Steve Davis of AXPONA in organizing the Marketplace on the first floor and table displays on the mezzanine; the Chicago-based mail-order giant also had some delicious show specials available. Among them were the Marantz AV-7005 surround preamp, Pro-Ject Debut III turntable, and Marantz NA7004 network audio player/DAC. The company's Jon Schulman explained that while the Oppo BDP-105 wasn't on sale, it was too hot an item not to bring along.
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