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Listen to the Sounds
"Listen to the sounds."
We Don't Get No Respect
Sony DTC-2000ES DAT recorder
Bel Canto Design Aida D/A processor
Recording of October 1987: Duruflé & Fauré Requiems
Blegen, Morris, Shaw, Atlanta SO and Chorus.
Telarc 80135 (CD). Robert Woods, prod.; Jack Renner, eng. DDD. TT: 74:23
To have two Requiems by French composers on the same disc certainly invites comparisons. Superficially similar, the works are actually quite different: both are conceived for small-scale performance, both rely on the organ, and neither places any great demands on chorus or orchestra. The differences concern mood and even intent. Fauré's Requiem, composed between 1887 and 1890, has survived all kinds of performances, both amateur and professional, without losing its ability to move hearers with its gentle hymn for the dead. The Duruflé, composed in 1947, has not achieved this kind of public appeal. A commissioned work, and not unified in style, this requiem is enjoyed by those who sing it; audiences tend to find it bland.
Surpassing Expectations: Pioneer's Andrew Jones
While preparing the review, I took the opportunity to ask Andrew Jones, Pioneer’s chief engineer, a few questions about hi-fi, music, and loudspeaker design. As always, Jones was forthright and charming; his answers to my questions were often enlightening.