High End Munich: Audio Reference "Most Exclusive System Ever" with Wilson and D'Agostino
CH Precision and Audiovector with TechDAS at High End Munich 2025
Sponsored: Pulsar 121
KLH Model 7 Loudspeaker Debuts at High End Munich 2025
Marantz Grand Horizon Wireless Speaker at Audio Advice Live 2025
Where Measurements and Performance Meet featuring Andrew Jones
Sponsored: Symphonia
Silbatone's Western Electric System at High End Munich 2025
Sponsored: Symphonia Colors
JL Audio Subwoofer Demo and Deep Dive at Audio Advice Live 2025

LATEST ADDITIONS

Air Tight ATM-1S power amplifier

It's no secret, especially to those who've been following Stereophile for more than a short time: In the first half of 2007, I took the plunge and bought a Shindo preamplifier and monoblock amplifiers—handmade products characterized by low output power, generous numbers of vintage parts, steel casework finished in a signature shade of green, and richly textured, impactful sound with lots of sheer musical drive. And while we tend not to alert the major newspapers whenever someone on staff buys new electronics, the change was notable for two reasons: The compatibility of Shindo's amplifiers is limited to loudspeakers of higher-than-average sensitivity and impedance; and, throughout the seven years that followed my switch to Shindo (footnote 1) both my system and my point of view regarding domestic audio in general have evolved in the direction of the artisanal and the vintage.
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Recording of September 1983: Rickie Lee Jones

Rickie Lee Jones: Rickie Lee Jones
Mobile Fidelity Sound Labs MFSL 1-089 (LP) (originally on Warner Bros. LP, 1979). Nick DeCaro, Johnny Mandel, orchestral arrangements; Lenny Waronker, Russ Titelman, prods.

This is actually a nice record. I was somewhat surprised to find myself really enjoying it. All the songs were written by Miss Jones, who does share the credit with Alfred Johnson for two: "Weasel And The White Boys Cool" and "Company." Her lyrics are fresh and entertaining, and her music quite good. The only jarring note to me was her inept-sounding efforts to assume the lowah-class South'n accent that is apparently considered essential for success in popsingin'. It only muddles her diction and makes the lyrics even more difficult to understand.

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A Better Traveler's Sanctuary: The Bose Quiet Comfort 25

This story originally appeared at InnerFidelity.com

It must be going on 5 or 6 years now that I've been recommending the Bose Quiet Comfort 15 as the best noise canceling headphone. Time after time when comparing the QC15 with newcomers to the field, they either slayed the competition with their ability to isolate from outside noise, or with their competent sound...usually both.

Then last year at about this time, Bose introduced their Quiet Comfort 20, a shallow insertion in-ear noise canceling model. I thought it was awesome. The shallow fit is remarkably comfortable—similar to just gently putting your finger against your ear canal—and their ability to isolate astonishing. When recently I heard that Bose was about to introduce a new over-ear model to replace the QC15 I emailed my contact at Bose immediately—when it comes to noise canceling headphones, Bose is the maker to keep an ear on. They did not disappoint.

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Music Matters Evenings at Audio Advice in NC, Wednesday & Thursday

Wednesday & Thursday, November 12&150;13, 5:30–9pm: North Carolina Dealer Audio Advice will host two consecutive Music Matters events, with special guest Michael Fremer of Stereophile magazine and AnalogPlanet.com. The Wednesday evening event will take place at Audio Advice's Raleigh location (8621 Glenwood Avenue), while the Thursday night event will be held at the dealer's Pineville showroom in Charlotte (11409 Carolina Place Parkway, near Carolina Place Mall). Several manufacturer representatives, including Dave Gordon (Audio Research), Alex Brinkman (Ayre Acoustics), and Jett Logan (AudioQuest), will be on hand to provide demonstrations and answer questions. Food and drink will be served. For more info, visit www.audioadvice.com or call (919) 881-2005 (Raleigh) or (704) 821-4510 (Pineville). RSVP, including the evening you'll attend and number of people in your party: event@audioadvice.com.
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Harry Pearson, January 5, 1937–November 4, 2014

The founder and until recently the long-term editor of The Absolute Sound, Harry Pearson (left above), has passed away. His protege Michael Fremer (right above) offers an appreciation here and Robert J. Reina, a long-term friend, is writing his own rememberance of HP in the February 2015 issue of Stereophile. (The January issue has already gone to press.)
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Roksan Kandy K2 BT integrated amplifier

It was spring. I was planting kale and cabbage, wearing bib overalls, and listening to Pigboy Crabshaw (aka Elvin Bishop) on my iPhone. My girlfriend, "bb," came out, and just stood there laughing. "What's this? American Gigolo: The Alabama Years?"

Now, please, don't start worrying about your newest Stereophile reviewer. I've owned my share of Julie London and Jennifer Warnes records, but these days I'm more into Hazel Dickens and Maybelle Carter. It's summertime, fish are jumpin', and that dirt-road American music is getting me high.

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Focal Aria 936 loudspeaker

Founded in 1979 by Jacques Mahul, Focal—formerly known as JMlab and as Focal-JMlab—is one of audio's success stories. Beginning with a single speaker model produced in a small workshop in Saint Etienne, France, the company is still headquartered there, but has expanded to employ over 250 workers, making products exported to over 160 countries. All Focal products are engineered in France; only a few lower-priced multimedia models and headphones are assembled in the Far East.
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TAVES 2014: Part 3

The Estelon X ($70,000/pair) was on the cover of the TAVES 2014 Show Guide, with the printed admonition "Don't miss Estelon in the Yorkville East Suite, 4th floor." Since they were kind enough to provide direction to the demo room, I just had to comply . . .
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Listening #143

Let's say you want a reliable means of distinguishing between original works of art and forgeries of same. One thing you wouldn't do—assuming you know anything about art, human perception, or the subtle differences between car wax and excrement—is apply to the problem a blind test: You wouldn't waste your time bringing people in off the streets, showing them pairs of similar but nonidentical images for 15 seconds each, and expecting your test participants to provide answers of any worth. You wouldn't do that because it's stupid.
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