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"Why not?" I asked. "They're exciting and super-enjoyable."

"Zu speakers are not mainstream," he explained. "People either love them or hate them. They're for music lovers, not audiophiles."

"That's not true!" I whined like a disappointed child. "They play Nina Simone and Aretha Franklin with spooky soul and natural tone! They play big classical orchestras—especially with trumpets and timpani—with radical ease and full-tilt momentum! And . . . and . . . they project large soundstages! Isn't that what audiophiles like?"

According to the company:

"What is it that discards the superfluous, the gimmicky, the flashy, the questionable, the overly fragile, the misplaced? The obvious answer would be time. And this is also the riddle of good design: very few objects achieve such a rarefied consistency of qualities. This is our aim with the Meze 99 Classics, the anti-fragility of a classic, with a sound on par with the design. Pure, natural sound in a timeless body."

[This Sweepstakes is now closed.]

David Bowie, Glenn Frey, Phife Dawg, Merle Haggard, Dan Hicks, Ernestine Anderson, Lonnie Mack, Maurice White, Blowfly, Otis Clay, Steve Young, George Martin, Keith Emerson, Henry McCullough, Prince. Was there a genre or subgenre of music that did not grieve in the closing months of 2015 through spring 2016—a period that must rank among the most devastating ever for the loss of important and influential songwriters and musicians?

May 12, 2014. The day it all began. Three major events happened in my life on May the 12th:

1. My violent hatred towards the USPS was born.
2. I spent the most I ever have, till this very day, on a yellow cab.
3. A divine pair of Technics SL1200 Mk.II turntables entered my life.

Well, they didn't exactly enter my life, per se. They were left on my (then) doorstep in West Harlem, which may give you some insight on #1. More on that later. I need to calm myself. (Sips Earl Grey vehemently in straightjacket.)