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I'm at Dan D'Agostino's house listening to his triamped Apogee full-range ribbon speakers. It's 1985. His listening room is immense, easily 30' by 45', and we're rocking out to Led Zeppelin and Bonzo Dog Band records. The sound is light-years better than anything I've heard—dynamic as hell, beyond vivid, and the soundstage has infinite depth—and Dan's obviously loving that I'm blown away by his system. We get to talking. He has three pairs of Krell KMA-160 monoblocks and Reference KRS preamps for me. Thanks, I say, but how can I get them home? No problem—Dan has a van.

How do you rate as an audio expert? Test yourself on these 25 questions.

All of the following are multiple-choice questions, dealing with things that every audio hobbyist should know, either before or after completing the test. Most of them are easy, but take your time in answering and don't jump to conclusions. Some of the questions are quite tricky, and wrong answers will be subtracted from your final score, so read them and the possible answers carefully before committing yourself. Don't guess if you aren't fairly sure.

Wednesday 19 October, 6:00–9:00 pm, Manhattan dealer Innovative Audio (Architects & Designers Building 150 East 58th, Street Level, New York City), is hosting Wilson Audio's Peter McGrath, who will be presenting the new Alexx loudspeaker. Refreshments will be provided. RSVP by phone to (212) 634-4444 or via email.

Peter Wolter, owner of a hi-fi shop in the town of Orangeville, Ontario—about an hour's drive from Toronto—in another life worked in marketing for a major pharmaceutical company. This marketing experience undoubtedly informs Wolter's approach to audio retailing . . . he recently presented a vinyl playback evening, celebrating (a little early) the 50th anniversary of the 1967 Summer of Love, and, coincidentally, the renaming of his store. (The pieces of strudel in the picture came from Peter Wolter's family's bakery. And, yes, they were as delicious as they look.)

Horn speakers, with their often ridiculously high sensitivity and ear-shocking "jump factor," fascinate many audiophiles. But their sonic flaws can be as big as their musical and technical virtues. The November Stereophile features on its cover and in an extended version of Art Dudley's "Listening" column the Hommage Cinema speaker from German company Auditorium 23, which features remanufactured versions of classic Western Electric compression drivers.

Did Ted Denney really start out my listening with "Hotel California"?

In the room with the most beautiful speakers, they played Norah Jones…