Apple AirPods Pro 3: First Impressions
Hegel H150 Integrated Amplifier Officially Announced
Sonus faber Announces Amati Supreme Speaker
FiiO M27 Headphone DAC Amplifier Released
Audio Advice Acquires The Sound Room
Sponsored: Pulsar 121
CH Precision and Audiovector with TechDAS at High End Munich 2025
KLH Model 7 Loudspeaker Debuts at High End Munich 2025
Sponsored: Symphonia
Where Measurements and Performance Meet featuring Andrew Jones
Sponsored: Symphonia Colors

LATEST ADDITIONS

Why I Can't Stop Being an Audiophile

"Why can't you stop being an audiophile?"

The question took me off-guard. It didn't come from one of the usual suspects—a hostile anti-audiophile, or a non-audiophile who simply can't fathom why we should care so much about something as nonessential as sound reproduction—but from Louis, a sharp dressed, goateed, middle-aged man who was known, among his audio repair shop's clientele, for not only his virtuosity as a classical solo violinist, but his expertise—some would say his preternatural ability—in setting up turntables to sound their very best.

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Recording of December 2017: Bringin' It

Christian McBride Big Band: Bringin' It
Mack Avenue Mac 1115 (CD). 2017. Gretchen Valade, exec prod.; Christian McBride, prod.; Todd Whitelock, assoc. prod., eng.; Timothy Marchiafava, asst. eng. ADD? TT: 68:59
Performance ****½
Sonics *****

As musical movements go, rock and jazz seem to be running out of new ideas, most of the stylistic pathways in both genres having been explored to their logical conclusions. In rock in particular, every stream of inspiration has been followed past its headwaters, every droplet of inspiration wrung from established forms.

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The December Issue . . .

. . . is here, with Outlaw's $799 "retro receiver" on its cover. "A conspicuously good-sounding audiophile product at a ridiculously low price," declared Herb Reichert. At the other end of the price spectrum, Michael Fremer reviews the most-expensive Grado cartridge yet, John Atkinson and Herb Reichert audition cost-no-object headphones from Audeze and HiFiMan, and Jason Victor Serinus reviews the Network Bridge from dCS.

And for the 27th year in a row, the December Stereophile includes our choices for "Product of the Year."

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Philippe Jaroussky's Exquisite Handel

"Exquisite" is not a word to be invoked lightly. In the history of vocal music on record, there has been only one singer to earn that appellation—soprano Maggie Teyte, Debussy's second Melisande, whom the great Polish tenor Jean de Reszke dubbed "L'Exquise." To that exalted category must now be added countertenor Philippe Jaroussky, whose latest recording for Warner, The Handel Album, contains some of the most exquisite singing I have ever been privileged to hear.
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Sennheiser Noise Canceling Headphones: PXC 550 Wireless; HD 4.5 BTNC; HD1 Wireless; and HD1 On-Ear Wireless

This story originally appeared at InnerFidelity.com

About this time last year I reviewed the then new Sennheiser PXC 550 BTNC over-ear, noise canceling headphones in hopes that someone would manage to unseat the Bose Quiet Comfort 35. Didn't happen. The Sennheiser had some great features, but in the end it was just too bright for me.

Recently I got a few more Sennheiser wireless noise cancelers and I found they too seemed overly bright. Now I consider Sennheiser the world's best headphone manufacturer. They've got a lot of experience under their belt, so when I hear a batch of Sennheisers, from differing product lines, that all seem too bright and have a quite similar measured response, I've got to question myself. Maybe they know something that I don't.

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Book Reviews: Jim Morrison Memoirs

Break On Through: The Life and Death of Jim Morrison by James Riordan and Jerry Prochnicky
544 pages, $20 hardcover. Published by William Morrow & Co., Inc., 1350 Avenue of the Americas, New York, NY 10019.

Riders on the Storm: My Life with Jim Morrison and The Doors by John Densmore
319 pages, $19.95 hardcover. Published by Delacorte Press, 666 Fifth Avenue, New York, NY 10103.

With at least six books on Jim Morrison and The Doors now on the shelves, five published within the last year to take advantage of tie-in sales on the flowing, copious coattails of Oliver Stone's powerful film, The Doors, you'd think one of them, at least, might approach "very good," "excellent," even "definitive."

Not so.

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Recording of August 1976: Britten: Orchestral Music

Britten: Orchestral Music
Four Sea Interludes & Passacaglia from Peter Grimes; Sinfonia da Requiem
London Symphony Orchestra, André Previn, conductor.
Angel S-37142. (Stereo/SQ LP). Christopher Bishop, prod.; Christopher Parker, eng.

EMl/Angel have come up with demonstration quality sound on this one. The "Sea Interludes" have stood well on their own as a concert piece, and previous recordings have been by Britten (Decca/London) and Giulini (EMI/Angel). Previn's earlier Sinfonia da Requiem with the St. Louis Symphony has recently been reissued on Odyssey, but that version, good as it is, must defer to the new reading and sonics. There are timpani thumps on this disc that literally bolted me upright from my chair! The dynamic range is tremendous.

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