LATEST ADDITIONS

The question took me off-guard. It didn't come from one of the usual suspects—a hostile anti-audiophile, or a non-audiophile who simply can't fathom why we should care so much about something as nonessential as sound reproduction—but from Louis, a sharp dressed, goateed, middle-aged man who was known, among his audio repair shop's clientele, for not only his virtuosity as a classical solo violinist, but his expertise—some would say his preternatural ability—in setting up turntables to sound their very best.

As musical movements go, rock and jazz seem to be running out of new ideas, most of the stylistic pathways in both genres having been explored to their logical conclusions. In rock in particular, every stream of inspiration has been followed past its headwaters, every droplet of inspiration wrung from established forms.

And for the 27th year in a row, the December Stereophile includes our choices for "Product of the Year."

About this time last year I reviewed the then new Sennheiser PXC 550 BTNC over-ear, noise canceling headphones in hopes that someone would manage to unseat the Bose Quiet Comfort 35. Didn't happen. The Sennheiser had some great features, but in the end it was just too bright for me.

Recently I got a few more Sennheiser wireless noise cancelers and I found they too seemed overly bright. Now I consider Sennheiser the world's best headphone manufacturer. They've got a lot of experience under their belt, so when I hear a batch of Sennheisers, from differing product lines, that all seem too bright and have a quite similar measured response, I've got to question myself. Maybe they know something that I don't.