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Canton Elektronik GmbH is a family-owned manufacturer of loudspeakers based in Weilrod, Germany. Founded in 1972—the name is from Latin and German: "Can" from the Latin "cantare," "to sing"; "Ton" from the German for "sound"—Canton is now well past its 50th anniversary. The largest manufacturer of perfectionist speakers in Germany, Canton is still based in the small township where it began, with manufacturing facilities in the Czech Republic.

John Atkinson reviewed the Canton Reference 7K in September 2021, and Ken Micallef followed up. The 7K ended up in Class A, Restricted Extreme LF, of Stereophile's Recommended Components list. Now that Canton has significantly revised its Reference Series, it's time to take another look and listen.

New York–based dealer New Life Audio teamed up with California distributor Hear This—representing WestminsterLab and Von Schweikert Audio—to build a system around those two brands. On a Bach Violin Concerto, played with characteristic sweetness—if not period authenticity—by Belgian violinist Arthur Grumiaux, both tone and texture came through with striking fidelity.

At the same time that Ryan O’Connor, president of Revox North America, was pitching the reel-to-reel revival to dealers, Revox Deutschland—the brand’s German distributor—unveiled a slate of new products, including two that are Alice Cooper–branded. No, seriously. Swear on my eyeliner budget.

Once again, my time in the Vandersteen room provided copious pleasure. Plus, it came in two installments: listening time in the inner sanctum, and chat time with Richard Vandersteen and Brad O’Toole in the entrance chamber. If that sounds rather exotic for a two-room hotel suite, you needed to be there.

Pushing through the AXPONA crowd, fueled by caffeine and the ambient buzz of the show floor, I made my way toward the Klipsch room, where the newly revised Klipsch La Scala AL6 was making its debut. Also featured was the Unison Research S6 integrated amplifier, which I lauded in a recent Stereophile review.

Some years ago, I visited the home of a well-known American author who happened to be an audiophile. His cramped, dimly lit listening room contained a tube amp, a DAC, and a pair of inexpensive floorstanding speakers surrounded by what looked like a museum of audio tweaks. I recall a scarecrow-like contraption with swiveling wood-and-metal arms that rearranged magnetic fields, assorted boxes and panels that promoted "quantum proton alignment," mysterious dots covering the walls like a rash, and nearly a dozen things dangling from the speakers' binding posts that were supposed to do something I can't remember. The author had an almost mystical belief in the power of these objects to bend the laws of physics and told me that he'd spent more on them than on the rest of the system, because in his opinion they were more important to the overall sound.

The thing that surprised me most is that despite the tweaks—or maybe because of them—his hi-fi sounded pretty terrific.

Refined Audio’s room 688 featured an almost entirely new system, with the exception of Dave Slagle’s familiar EM/IA gear. (Slagle, co-founder of EM/IA and a specialist in transformer-based designs, is known for his minimalist, high-purity audio components.)