Vivid Audio Introduces Giya Cu Loudspeakers
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Sennheiser Drops HDB 630 Wireless Headphones
Sponsored: Radiant Acoustics Clarity 6.2 | Technology Introduction
PSB BP7 Subwoofer Unveiled
Apple AirPods Pro 3: First Impressions
Sponsored: Pulsar 121
Sonus faber Announces Amati Supreme Speaker
Sponsored: Symphonia
CH Precision and Audiovector with TechDAS at High End Munich 2025
Sponsored: Symphonia Colors

LATEST ADDITIONS

Recording of April 2020: Afterimage

Cooper, Cerrone, Pergolesi, et al: Afterimage
String Orchestra of Brooklyn, Argus Quartet, Melissa Hughes, Kate Maroney, Rachel Lee Priday
Furious Artisans facd6823 (CD). 2020. Emily Bookwalter, Eli Spindel, prods.; Ryan Streber, eng.
Performance ****
Sonics ****

If an orchestra is going to wait more than a decade before releasing its first record, it had better go big when it finally does—which is what the String Orchestra of Brooklyn has done. Afterimage includes compositions by Paganini (1782–1840) and Pergolesi (1710–1736) alongside works by Rome Prize winner Christopher Cerrone (b. 1984) and the less well-known Jacob Cooper (b. 1980).

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Hi-Fi Arcana I

Some Stereophile readers will surely remember—some may even have in their collections—Christian Marclay's 1985 vinyl release Record Without a Cover, surely one of the oddest records ever, right up there with the dying-rabbit record and the seven-inch single that's tinted yellow by the band's actual urine.
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Music Matters Returns to Definitive Audio Seattle

With the COVID-19–related cancelation of Munich High End and the postponement or cancelation of other national and regional audio shows, smaller, local events such as Seattle’s 15-year old Music Matters event, which returned to Definitive Audio Seattle on March 5–6, have gained importance—at least as long as they are able to avoid being shut down.
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Denon DCD-2560 CD player

My first CD player was a Denon DCD-1800, the grandpappy of 'em all. It was big, clunky, and sounded like, well, you can read back issues to find out what it sounded like. But I was living in a fraternity house at the time, the kind of place where you wake up the next morning after a blow-out to find five plastic cups half full of stale margaritas merry-go-rounding on your turntable because whoever broke into your room during the party snapped your cartridge's cantilever off trying to hear the backwards messages on The Wall and decided to leave you an artistic message to buy a better needle next time, dude.
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When Britain Went Postal: a Post-Punk Survey

Few would have predicted that the Sex Pistols' first gig—in November 1975, at the Saint Martin's School of Art in central London—would be the start of an explosion of music. Not many even knew it was happening. That soon changed. Punk would create a space that other bands rushed to fill. Inspired by the DIY ethos and the rejection of the notion that pop music had to be a 30-minute conceptual track on the lives of elves, punk was just grab an instrument and form a band.
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Revinylization #3: Analogue Productions, Blue Rose Music, Mobile Fidelity

In the January 2020 Stereophile, I described my transformation from John Fahey skeptic to John Fahey fan; suffice it to say, the late guitarist was far from the only musical artist whose work I came to enjoy only after a number of failed attempts. Another was the English band Yes, which I saw in concert in 1977, at New York's Madison Square Garden: I was so bored by the many lengthy instrumental solos, each one remarkable only for the sheer number of notes being squirted at me, that I literally nodded off. (In my defense, it was also very warm in there.)
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Analog Corner #286: Channel D Lino C 2.0 phono preamplifier

Install a new component in your system and there's usually a period of adjustment as you get used to the difference in sound—especially if the new product costs much less than your reference. Channel D's new Lino C 2.0 balanced phono preamplifier costs $2499, yet my ears instantly accepted its combination of drop-dead, noise-free backgrounds and lack of obvious colorations or sonic personality. I didn't hear it—I heard only my Ortofon A95 cartridge, with which I'm well familiar, as amplified by far more costly phono preamps.
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