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LATEST ADDITIONS

A Musical Inheritance

When I was a child, my father was a dealer in black-market records. We lived on what was then the outskirts of Moscow, in what was then the Union of Soviet Socialist Republics. It was the 1970s, and our nation's record stores only sold discs of domestic manufacture, most of them wooly-sounding classical recordings on the Melodiya label. This meant that a healthy contingent of Muscovites valued records smuggled from what they referred to in hushed tones as "The West" more than just about anything else their rubles could buy.
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Revinylization #10: Bill Evans's Live at Montreux

The late pianist Bill Evans may be the most reissued jazz musician in the catalogs of audiophile record labels. There are reasons for that: He played standards, mainly ballads (many audiophiles shun the avantgarde), almost never in groups larger than trios (stereo systems often do best with small-scale ensembles). Whether by design or chance, his best recordings were miked by superb engineers. Perhaps because of that, proprietors of high-end labels have cherished Evans's music with heightened passion.
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Göbel High End Divin Marquis loudspeaker

Although it was founded by ex-Siemens loudspeaker engineer Oliver Göbel in 2003, I am embarrassed to admit that I had never heard of Göbel High End until I visited the room hosted by Florida retailer Bending Wave at the 2019 AXPONA. There, I listened to the German manufacturer's ginormous $220,000/pair Divin Noblesse loudspeakers, which were making their US debut. I was impressed by what I heard. I was interested, therefore, to learn that Göbel was introducing a smaller Divin model, the Marquis, which would not be too large for my listening room and would be priced at $80,000/pair.
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Recording of October 2020: Rough and Rowdy Ways

Bob Dylan: Rough and Rowdy Ways
Columbia C-250652 194397980991 (2LP; also available on CD and as 24/96 FLAC download) Chris Shaw, eng.; Greg Calbi, mastering.
Performance *****
Sonics ****

The stats alone are impressive—or, as we at Stereophile like to say, the measurements. 79-year-old Bob Dylan's 39th studio album is his first album of original material since 2012. Rough and Rowdy Ways times out at more than 70 minutes of music, due in part to the inclusion of Dylan's lengthiest studio song to date, "Murder Most Foul," which runs 16 minutes, 54 seconds. The LP version requires 2 discs. His tour was supposed to be Never Ending—but it did end, temporarily, because of COVID-19, just as Dylan and the band were set to play Japan.

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Mikey Bats 302

Issue 54 of The Absolute Sound, cover-dated July/August 1988, had arrived in my mailbox. I had been warned that this issue contained a report from Stereophile's third hi-fi show, which had been held in Santa Monica the previous April. Although it wasn't listed in the issue's table of contents, I found the show report on page 186, written by Michael Fremer, who was listed on the magazine's masthead as "Senior Editor: Pop Mix."
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Analog Corner #302: 25 Years and Counting

I was planning to ignore the big three oh oh—my 300th Analog Corner column—and go about my normal business of covering an assortment of new analog gear and accessories. There's an abundance of those today, 25 years after the publication of my first column. Back then, there was far less to write about: Vinyl was on life support and headed for the obsolete-music-format trash heap atop a pile of Elcasets and 8-track tapes.
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FollowUp RoundUp

When Stereophile publishes followup reviews of various kinds in the print magazine, we add the followup as a "child page" to the full review. That means that they don't appear on the website's home page and might get missed. The October 2020 issue included three followups: of the Boulder 2108 phono preamplifier, the Weiss DAC502 D/A processor, and the IsoAcoustics Gaia loudspeaker isolation feet.
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Bow Technologies ZZ-Eight CD player

"Something's coming, I don't know what it is, but it is gonna be great!"—Tony, West Side Story

While the Sharks and the Jets rumble in the consumer electronics playground, knife-fighting for supremacy in the next software go-round, in 1998 we're still living in the 16-bit/44.1kHz audio world, and will be doing so for the foreseeable future. Maybe your idea of audio bliss is listening to the equivalent of computing with a Commodore 64, but it's not mine.

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