Bowers & Wilkins Stands Tall at Audio Advice Live 2026
Steinway Lyngdorf Mounts Up at Audio Advice Live 2026
Playback Distribution Presents a Grand North American Vienna Acoustics Loudspeaker Debut at Audio Advice Live 2026
Focal Attains Utopia at Audio Advice Live 2026
Rega's Royal Analog Experience at Audio Advice Live 2026
The Top Turntables, Tonearms, and Cartridges of SouthWest Audio Fest 2026
Cambridge Audio Rocks and Rules in a Fidelity Imports Room at Audio Advice Live 2026
See How the Degritter Mark II Ultrasonic RCM Cleans an LP!
Fyne Audio and Harmonia Distribution are in Fine Harmony at Audio Advice Live 2026
Audiophile Newbies Shocked by SRPs at High End Vienna!

LATEST ADDITIONS

KLH Model Twelve loudspeaker

The idea of a loudspeaker system whose frequency response could be tailored to suit room acoustics and/or personal taste is one that has always appealed to the high-fidelity perfectionist. Ideally, such a loudspeaker would allow you to raise or lower the level of any part of the audio spectrum to correct for, say, a sharp 370Hz room resonance or a mild absorptive condition that weakens, say, the 800Hz–3kHz range. Obviously, though, this kind of flexibility would require an infinite number of bandpass networks, each with its own volume control—which is an obvious impracticality.
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Analog Corner #269: TechDAS Air Force III turntable and Graham Engineering Phantom III tonearm

It was great fun having our editorial coordinator, Jana Dagdagan, shoot a video profile of me in my listening room. As I write this, it's had more than 88,000 views. While the ratio of thumbs up to thumbs down has remained consistently around 10:1, some of the negative comments, particularly about our industry and about this magazine, do enrage me.
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Kevin Gray: Vinyl-Mastering Master

When I need information about recordings, I go to Discogs. At Discogs, Kevin Gray has more than 2500 entries. That's as good an indicator as any of the amount of ground he has covered in his career so far as a creative participant in the recorded-music art known as mastering. Since starting out in the early 1970s, in Los Angeles, he has worked for all the major music labels and many independents, in all music genres.
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