LATEST ADDITIONS

I'm waiting for a bypass.

My heart did not attack me. My arteries aren't clogged. I'm awaiting an electrical bypass to save my audio system's life.

Time for some towers. In recent months, a succession of standmount speakers has passed through my listening room: GoldenEar BRXes, Bowers & Wilkins 705 Signatures, Marten Oscar Duos, original KEF LS50s, and the new LS50 Metas. All these loudspeakers sounded excellent, though different from one another. I felt that a floorstanding loudspeaker would make for an interesting change.

All my earliest hi-fi memories involve tube amplification: as a young girl, staring at the tubes' glowing filaments and listening to music with my audiophile father. I was mesmerized by the glow of those tubes, too hot to touch, but even more so by the music, which often was classical or opera. How those tubes worked was a mystery to me, but I knew they played a big part in the magic coming from the speakers.

Every product listed here has been formally reviewed in Stereophile. Everything on the list, regardless of rating, is genuinely recommendable.

Within each category, products are listed by class; within each class, they're in alphabetical order, followed by their price, a short synopsis, and a note indicating the issues in which the review and any subsequent follow-up reports appeared. "Vol.44 No.2" indicates our February 2021 issue, for example.

In Re-Tales and in Industry Update, I've written about some of the ways the pandemic has accelerated changes in the hi-fi business. Government-mandated safety measures, the absence of audio shows, and a marketplace that was already changing have combined to force companies to get creative about how they reach customers, both to sell products and to provide service.

A few established dealers have closed or are preparing to. Some can no longer afford inventory. Some have just retired. Others, though, report that 2020 was an extraordinarily good year.

This gig has many perks—but the best one without a doubt is the cool, interesting people I get to "meet."

I should explain the quotation marks. Since starting this job, in April 2019, I haven't gotten out much. Even before the pandemic, I was too busy to do much of anything except edit the magazine. So, many of the interesting people I've "met," I've still never seen in person.

My music is keeping me alive.

I have terminal cancer, which is like Bergman's chess match with the Grim Reaper: You know you're going to lose, but with skill, determination, and luck, you can delay the inevitable, move by move. Determination is key, because it's all too easy to give up. My music—a collection I've amassed over the last 60 years—inspires me to keep going, to keep listening.