KEF Debuts New Finishes for Blade One Meta and Blade Two Meta
Sennheiser Drops HDB 630 Wireless Headphones
Sponsored: Pulsar 121
Vivid Audio Introduces Giya Cu Loudspeakers
PSB BP7 Subwoofer Unveiled
Sponsored: Symphonia
Apple AirPods Pro 3: First Impressions
Sponsored: Symphonia Colors
Sonus faber Announces Amati Supreme Speaker

LATEST ADDITIONS

Bryston B1353 integrated amplifier

Out of the blue, a forever friend I hadn't spoken to in years called and asked me to join him at Riverside Church for a concert of William Basinski performing his renowned Disintegration Loops. Dedicated to the victims of 9/11, the work was completed as Basinski watched the airplanes crash into the World Trade Center from his Brooklyn rooftop.
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Michael Fremer enlivens impressive Audio-Ultra demos

Audio-Ultra, a Seattle-area (Sumner, Washington) dealership representing Magico, MSB, Taiko Audio, Kuzma, Vitus, StromTank, Equi=Tech, AudioQuest, Ansuz, and more, held an impressive two-day event November 12 and 13 at the Cedarbrook Lodge near SEATAC Airport. Of all the audio events I’ve attended over the years, this one, masterminded by Audio-Ultra’s Edward DeVito, made the most convincing case for the need of careful setup to fully appreciate the rewards of vinyl remasters of classic rock and jazz.
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Re-Tales #15: The Beat Goes On

Finding fresh approaches to doing business isn't easy, especially in the current climate. But now it's becoming essential. Audio manufacturers, distributors, and dealers must figure out how to attract new customers while continuing to provide service for existing customers. Neither thing is easily accomplished in an era of change. But failure isn't an option. People with something to sell must connect with customers, and vice versa. Access is key.
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Complicated

Even though I'm the editor of Stereophile, I sometimes struggle to get my audio system to play. It's a little bit embarrassing. Just last night, I put on a record and there was no sound. I figured out the problem immediately: I'd forgotten to turn on the amplifiers. But the reason isn't always so obvious.
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Revinylization #23: Grant Green, Kenny Burrell, Oliver Nelson

Two new reissues in Blue Note's Classic Vinyl series—Grant Green's Idle Moments and Kenny Burrell's Midnight Blue—capture peaks of jazz guitar's possibilities at a juncture when modernism was primed for a shift to something else. Both albums were recorded in 1963; both sport "the Blue Note sound," which engineer Rudy Van Gelder had refined to its high point. But the two albums lay out very different musical paths.
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