Apple AirPods Pro 3: First Impressions
Hegel H150 Integrated Amplifier Officially Announced
Sonus faber Announces Amati Supreme Speaker
FiiO M27 Headphone DAC Amplifier Released
Audio Advice Acquires The Sound Room
Sponsored: Pulsar 121
CH Precision and Audiovector with TechDAS at High End Munich 2025
KLH Model 7 Loudspeaker Debuts at High End Munich 2025
Sponsored: Symphonia
Where Measurements and Performance Meet featuring Andrew Jones
Sponsored: Symphonia Colors

LATEST ADDITIONS

Totem's Vince Bruzzese Profiled

Totem always makes a splash at shows; this time the demos featured the Element series that was introduced at the 2011 Las Vegas CES. As a nod to the Image part of the name of the show, they also had a huge screen with four commercial-grade projectors, and a very stylish video presentation. The man with the "Einstein" hair on the left side in the picture is Totem president Vince Bruzzese, one of the recipients of SSI's Lifetime Achievement awards.
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Totem's Elements

Totem was demonstrating its new Element series loudspeakers with the Classé CA-M600 600W monoblocks that I enthusiastically reviewed in the March issue of Stereophile. The three Element models—the Fire stand-mount at $5995/pair, the floorstanding Earth at $8995/pair, and Metal at $12,995/pair—all use a new 7" woofer designed and manufactured in-house. But what's with the tie around the guy's head in the wall-sized photo?
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Audio Sensibility

To exhibit at CES, you'd better have deep pockets, and while, to a lesser extent, the same is true about exhibiting in the large rooms at SSI, the venue also permits small companies to set up displays in the nooks and crannies of the hotel corridor, with correspondingly lower price tags. Audio Sensibility offers a line of high-end audio and video cables that use Ohno Continuous Cast (OCC) copper and silver wire, Furutech connectors, cryogenic treatment of all wire and connectors, Mundorf silver-gold and supreme silver-gold solder, and their own custom-manufactured stainless-steel connector bodies.
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Record Buyers Aux 33 Tours

Although many (maybe most) of the demos at the 2011 SSI were computer-based, vinyl continued to have a presence, notably in the Aux 33 Tours room, which had an excellent assortment of LPs for sale. And not all the people showing an interest in LPs were old fogeys, as the photo illustrates.
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SSI's Blue-Haired Staff

I don't know who came up with the idea of having the female SSI staff wear blue wigs—as they have been doing for the past two years—but I think the idea was a brilliant one. The blue wigs not only make the staff instantly identifiable, but they communicate a sense of fun, and that's just what the show is. It also helps that the staff are unfailingly pleasant and cheerful.
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Start Booming: American Express & Music Direct

You might remember the American Express Plum Card advertisement that featured hi-fi and vinyl retailer Music Direct. The ad, which ran on mainstream television for several months, did a good job of introducing hi-fi and vinyl to a wider audience.

The new ad puts greater emphasis on Jim Davis’s passion for music, vinyl, gear, and sound, and describes the growth of his company, Music Direct. Notice that the pretty Wharfedale Diamond 10.1 loudspeakers, reviewed by me in our April issue and by Bob Reina in a future issue, are given good airtime.

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Bowers & Wilkins P5 Portable Headphone/Headset

This story originally appeared at InnerFidelity.com

I didn’t really want to like these headphones. They didn’t sound as I had hoped, and they’re really not made for a guy like me. I wear sweat pants and t-shirts mostly; I wrench on old dirt bikes sometimes; I think camping and not taking a shower for three days rocks. The B&W P5 would feel far more at home tucked into a pig-skin valise on the front seat of a Ferarri than on the picnic table next to the BBQ on my back porch.

Yet there it was … day after day … week after week.

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Art on Display

It's often said that a show like SSI is as much about people as it is about equipment. We Stereophile writers enjoy meeting the people who read their scribblings, and I believe Show attendees who are readers of the magazine like to put a face they can associate with what they read in the magazine. Here's a picture of Art Dudley (right) meeting one of the show's youngest attendees, who is obviously already an admirer of Art's "Listening" column and equipment reports. Seen in near-profile on the left is René Laflamme, the audio engineer responsible for the outstanding recordings on the Fidelio label.
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