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While we were preparing our list of specifications for our perfectionist's tape recorder discussed elsewhere in this issue, we suddenly came to a screeching halt at the spec which started "Scrape flutter less than . . ."

What, we wondered, was the scrape flutter percentage in a recorder in which scrape flutter is audible? Would it be 0.5%? Or 1%? Or even 5%? We perused the readily available literature, and were informed that "scrape flutter is caused by the tape's tendency to move past the heads in a series of tiny jerks in stead of in a smooth gliding motion." We were also told that scrape flutter is due to friction between the tape and the head surfaces, plus the slight elasticity of the tape that allows it to stretch slightly before being dragged along by another silly millimeter, and that it sounds like a rough edge riding on all signal frequencies between about 3kHz and 8kHz.

We received the following email this afternoon. Sad, sad news. I shall remember the Richard Beers of unlimited energy and enthusiasm, pictured above at the 2013 T.H.E. Show in Newport Beach, CA. Richard made audio shows fun for all—exhibitors, press, and most all audiophiles of every persuasion. We’ll miss you, Richard.—John Atkinson

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Dear Industry Friends,

My name is Maurice Jung and I am the interim President for T.H.E. Show Newport. It is with heartfelt sorrow that I must inform you of the passing of Mr. Richard Beers. . .

AudioVision SF (1628 California Street, San Francisco, CA 94109) are having a free event Thursday March 17, 7:30–9:30pm, to preview Technics' new Audiophile 1200GAE 50th Anniversary Limited-Edition turntable and tonearm. This is not the Technics 1200 your local DJ played but a fully redesigned table with just about everything taken upstream except for the basic look!

Dr. Feickert Analogue's top-of-the line turntable, the Firebird ($12,500), is a generously sized record player designed to easily accommodate two 12" tonearms. Its three brushless, three-phase DC motors, arranged around the platter in an equilateral triangle, are connected to a proprietary controller in a phase-locked loop (PLL); according to the Firebird's designer, Dr. Christian Feickert, a reference signal from just one of the motors drives all three—thus one motor is the master while the other two are slaves. (Man, today that is politically incorrect, however descriptively accurate.) Feickert says that the key to this drive system is the motor design, which was done in close consultation with its manufacturer, Pabst. The result is a feedback-based system in which the controller produces the very low jitter levels claimed by Feickert.

The April Issue features an extensively revised "Recommended Components" feature—often copied, never equaled—while April Music's stylin' Aura Note V2 CD receiver gets the full review treatment from Art Dudley. In addition, we have:
• Great analog playback gear from Abis, Jasmine, Mørch, Reed, SME, and TechDAS
• A US-premier review of the AR-M2 hi-rez portable player from one of the great names in hi-fi, Acoustic Research, now under new ownership
• A high-end server from Aurender is put through its paces
• An interview with that most blues-ish singer/guitarist, Bonnie Raitt
• And kicking off this bumper 188-page issue, a report that "The Kids Are Alright!"

In an announcement made yesterday on their corporate website, UK-based Chester Group—which, in recent years, has sponsored consumer-audio shows in Vancouver, Brooklyn, and Brighton, UK, among other locales—revealed that they are "deferring" this year's Salon Son et Image, which had been scheduled to take place March 18 through 20 at the Bonaventure Hotel in Montreal.

Product debuts galore were only one of the reasons that March 3's Music Matters 11, the latest installment of Definitive Audio Seattle's annual four-hour evening marathon, was a model event of its kind. Another, articulated by Definitive's president Craig Abplanalp to exhibitors less than an hour before the doors opened at 5pm, was that, at this Definitive Audio 40th Anniversary celebration, music rather than long-winded product spiels was the focus of each 20-minute listening session.

Certainly audiophiles heard the call. Music Matters 11 drew over 500 people...