
LATEST ADDITIONS
Carver Research Lightstar Reference power amplifier
Recording of April 1967: An Audio Obstacle Course
Shure Bros. TTR-101.
Shure's new "Supertrack" V-15 Type II pickup was designed as an answer to all those high-powered discs whose excessive modulations make them shatter all over the place on lesser pickups, But just in case anyone didn't happen to own any of these difficult discs, Shure decided to issue one of these, too. The result is a collection of some of the meanest modulations ever gathered together in one place.
The Stereo Image
For most people the terms hi-fi and stereo are synonymous, and yet it is clear that there is still a great deal of confusion over what the word "stereo" actually means. There isn't even a consensus of opinion amongst producers of records, designers of hi-fi equipment, audio critics and music lovers as to the purpose of stereo, and considering that the arguments show no sign of diminishing in intensity, it is instructive to realise that 1981 sees both the 100th anniversary of Clement Ader's first stereo experiments and the 50th anniversary of Alan Blumlein's classic patent on stereo.
Prokofiev For Two and a Half
Audible Illusions Modulus preamplifier
Recording of February 1968: Chopin; Nocturnes
Arthur Rubinstein, piano
RCA Victor LSC-7050 (2 LPs) (reissued on CD as RCA Victor Red Seal 0902 663049-2). Max Wilcox, prod.; Tom MacCluskey, Sergio Marcotulli, engs. Recorded August 30September 2, 1965, 2 February 21, 1967.
If these Nocturnes are never played better than this, we couldn't care less. These are exquisite performances!
The recording, via RCA Victor's Dynagroove process is a far cry from the earlier excesses that gave Dynagroove its horrid reputation among perfectionists. One is simply not aware of the recording at all, as long as it is played at the right volume, which is about what you would hear from a good first-balcony concert-hall seat.