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PMC’s Fact.12 loudspeaker ($19,500/pair), the English company’s new reference 3-way floorstander, includes two 6” coated aluminum-cone woofers, a 2” hand-built soft-dome midrange, and 0.75” soft-dome SONOMEX tweeter co-developed with SEAS. With a somewhat low 84dB sensitivity and 8 ohm impedance, the speaker claims a 26Hz–30kHz frequency response. Paired with four new Rega components—the Rega Elicit-R 105Wpc integrated amplifier ($2995), Saturn-R DAC + CD transport ($2995), RP8 turntable with Apheta MC cartridge ($3995 w./cartridge), and Aria MC/MM phonostage ($1495)—the system sounded quite solid playing Kraftwerk's “Autobahn.”

The Danish speaker manufacturer Danish Audiophile Loudspeaker Industries (DALI) should have a winner in its new wireless Kubik Free+Xtra Loudspeaker System. Available in black, white, or red, the optional two-part system consists of the Kubik Free ($1295), an active single-stereo speaker that can be used by itself in tight quarters, and the Xtra passive second speaker ($695) for those who want a wider soundstage and better imaging. Demmed by Thomas Knudsen in wireless aptX Bluetooth 3.0 mode—the Kubik Free can also be played via USB, optical, and analog connections—the speaker's 100W class-D amplifier delivered lovely sound. The drivers are composed of the same proprietary DALI wood-fiber cone drivers used in DALI's big babies.

Naim Audio has just introduced three new great-sounding products in its NAIT (Naim Audio Integrated Series). The entry-level NAIT 5si Integrated amplifier ($1800) outputs 60Wpc into 8 ohms, and has four analog inputs (including DIN, which they think sounds best), a headphone output, and unity gain inputs for AV pre/pro or receiver. Climbing up the ladder gets you the 70Wpc Naim NAIT XS 2 integrated ($2900) and "audiophile version" 80Wpc Naim SuperNAIT 2 integrated ($4900). In addition to more inputs and features, these higher-level products include upgradeable external power supplies, which counts for a lot in Naimland.

Earlier this year, Michael Fremer gave us the scoop on Acoustic Signature’s new Wow turntable ($1950 with Rega 202 tonearm). It employs the same bearing design and AC motor found in all Acoustic Signature turntables, uses a 9-lb CNC-machined platter with a leather mat, and comes in high-gloss black or white acrylic. In person, the ‘table is very attractive and seems extremely well built.

The Funk Firm’s new entry-level turntable, the Flamenca ($1495, without cartridge), will be available next month. The two-speed ‘table uses a DC motor and a very thin (0.15mm) thread-belt to drive its glass platter. Funk refers to their tonearm as a “pickup arm.” A tonearm, explained Pro Audio’s Brian Tucker, implies that the arm imparts its own sonic signature to the system. Funk aims to eliminate the arm from the system, thereby allowing the cartridge to perform optimally. In this case, the Flamenca’s new F6 tonearm is carrying a Dynavector DV 10X5&#151one of my fave cartridges. The F6’s detachable mounting block is meant to simplify cartridge installation. And, while the stock Flamenca is said to be specifically balanced for high-quality performance straight from the box, it can be easily upgraded with Funk’s Achromat platter mat and any of Funk’s higher-end tonearms.

With up to 75 rooms to cover on multiple floors of the Marriott’s tower, I decided to check out Synergistic Research’s much-heralded new products before the show officially began. Inventor Ted Denney decided to dem his new babies, not with the expected megabuck system, but rather with a Bose radio. Positioned atop one of his Tranquility Bases, used as shelves on a Solid Tech rack, the radio played a vocal track by Anne Vada and Aki Fukakura as Denney demonstrated the cumulative effects of his tiny aluminum passive HFTs (High Frequency Transducers, $299/5 pack), active FEQ (Frequency Equalizer, $750), and Tranquility Bases. (In the photo, Ted is pointing to the HFT affixed to the front of the radio.)

I've been kicking myself for not making it out to Brooklyn to hear YG Acoustics' flagship Sonja 1.3 loudspeakers while they were in John Atkinson's system.