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This is actually a nice record. I was somewhat surprised to find myself really enjoying it. All the songs were written by Miss Jones, who does share the credit with Alfred Johnson for two: "Weasel And The White Boys Cool" and "Company." Her lyrics are fresh and entertaining, and her music quite good. The only jarring note to me was her inept-sounding efforts to assume the lowah-class South'n accent that is apparently considered essential for success in popsingin'. It only muddles her diction and makes the lyrics even more difficult to understand.

It must be going on 5 or 6 years now that I've been recommending the Bose Quiet Comfort 15 as the best noise canceling headphone. Time after time when comparing the QC15 with newcomers to the field, they either slayed the competition with their ability to isolate from outside noise, or with their competent sound...usually both.

Then last year at about this time, Bose introduced their Quiet Comfort 20, a shallow insertion in-ear noise canceling model. I thought it was awesome. The shallow fit is remarkably comfortable—similar to just gently putting your finger against your ear canal—and their ability to isolate astonishing. When recently I heard that Bose was about to introduce a new over-ear model to replace the QC15 I emailed my contact at Bose immediately—when it comes to noise canceling headphones, Bose is the maker to keep an ear on. They did not disappoint.

Now, please, don't start worrying about your newest Stereophile reviewer. I've owned my share of Julie London and Jennifer Warnes records, but these days I'm more into Hazel Dickens and Maybelle Carter. It's summertime, fish are jumpin', and that dirt-road American music is getting me high.