Vivid Audio Introduces Giya Cu Loudspeakers
KEF Debuts New Finishes for Blade One Meta and Blade Two Meta
Sennheiser Drops HDB 630 Wireless Headphones
Sponsored: Radiant Acoustics Clarity 6.2 | Technology Introduction
PSB BP7 Subwoofer Unveiled
Apple AirPods Pro 3: First Impressions
Sponsored: Pulsar 121
Sonus faber Announces Amati Supreme Speaker
Sponsored: Symphonia
CH Precision and Audiovector with TechDAS at High End Munich 2025
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LATEST ADDITIONS

Katz's Corner: The Great Headphone Shootout - Part 3

This story originally appeared at InnerFidelity.com

I've spent $4000 on the Stax 007 Mk2 and a custom-built KGSS amp, which can drive them as loudly and cleanly as you like. These are the most transparent reproducers I own, revealing details that are masked even on my fabulous loudspeaker system. That's what electrostatic transducers can do for you. I've always felt they have excellent and solid bass. So it was quite a shock to discover and admit that the cans which I have preferred for over forty years may have a victor: .......

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Simaudio Moon Evolution 740P line preamplifier

Transparency is a trait we all value in a hi-fi rig, and it's a concept I've long thought I understood. A system that tosses up the illusion of a clear, spacious soundstage, on which you can hear—almost see—all of the singers and/or instruments, from side to side and, especially, from front to way, way back: that's the ticket. Still, although such transparency is a sign that you've entered the realm of fine sound, it's not an absolute requirement. Tonal accuracy, dynamic range, a certain thereness that conveys the emotional heft or delicacy of music—those things come first. Without them, the most precisely delineated soundstage is like an architect's sketch of an oil painting.
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Listening #149

At home, I have two different ways of listening to music—just as I have two different ways of cooking and washing the car and making coffee and getting dressed to go out.

My first approach to listening is the one that takes the most time: It requires forethought and effort and, consciously or not, a certain amount of ritual—yet those things are enjoyable in and of themselves, and the end results are often more than merely satisfying.

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AXPONA Chicago Set To Wow Friday–Sunday

In the consumer audio show arena, the newly rebranded Audio Con (after Comic Con) from AXPONA Chicago seems on course to claim the crown as one of the three top high-end shows in North America. Taking place April 24–26 in the Westin O'Hare in Rosemont, the show is prepared to welcome a significantly larger number of visitors (pre-registration is up 30% 11 days before show opening) to 105 active exhibits (two-channel and multi-channel), plus an entire ballroom's full Ear Gear Expo (participation is up 50% from last year) and a sizeable marketplace area (displays up at least 30%).
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Sanctuary with the Sennheiser Momentum Wireless M2 AEBT

This story originally appeared at InnerFidelity.com

The audiophile in me was disappointed when I learned that Sennheiser's big reveal at CES this year would be some physical changes to, and wireless versions of, their Momentum and Urbanite lines. What hot blooded headphone enthusiast doesn't yearn for the next Sennheiser flagship? The pragmatist inside me understood the move perfectly, Sennheiser is invested in the two brands and is strengthening them for the long haul. Fair enough.

Let's have a look!

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Access Journalism vs Accountability Journalism

I write this in a Seattle coffee bar—my flight home to New York has been canceled due to a snowstorm. As I try to put down these thoughts, I'm listening to the high-resolution masters of the April issue's "Recording of the Month," Sasha Matson's jazz opera Cooperstown, on my Pono player using Ultimate Ears UE18 in-ear monitors. I was in Seattle for Music Matters 10, held by retailer Definitive Audio, and this was my first road trip with the Pono since I reviewed it for the April issue. (Bruce Botnick and Charles Hansen comment on that review elsewhere in this issue.)
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Trip and Jitter: the Electronic World of Dan Deacon

Violet- and orchid-colored LED banks shimmer across the room. Green and pink spots radiate out and back. A steady stream of beats and keyboards from other electronica luminaries rumbles out of the speakers. Let's dance! Or maybe just listen?

Onstage, Dan Deacon is busy tweaking his gear. Out on the floor, the audience is oddly antsy. To fight the waiting, one woman hangs on her boyfriend. Clumps of hipsters conviviate. Very strong drinks (a sponsorship deal?) flow for seven bucks a pop. Anticipation thickens. Impatience turns to pacing. Young men make solo air grooves.

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