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Listening #166
That aphorism has few fans among people shopping for cancer drugs, contact lenses, GPS receivers, and laptop computers, all of which seem to get better with each passing year. Hell, even I know that.
It earns a more positive reply from anyone who's shopping for an oriental rug, or a fly rod, or a tweed jacket, or a musical instrumentpeople who will tell you that their fond response to the market for vintage examples of such goods is motivated by two things: older products were better made than their newer counterparts (better designs, better materials, better manufacturing techniques), and some, if not all, of those products, over time, actually improve with use.
Steve Reich Celebrated at 80
Devialet Event in Cambridge MA Thursday
A Survey of Foster 443742 Variants: Measurements
I'm going to spend the week parsing the differences between a number of the variants of the Foster 443742 (seen on page H-4 of this .pdf). This survey will include: Fostex TH900, TH900mk2, and TH610; Massdrop THX00; Denon ADH-D5000; and the E-Mu Teak stock, and with optionally available Rosewood and Mahogany cups.
Two Shows for Southern California in 2017!
The Competent and Low-Cost Noontec Zoro II Wireless
Wireless headphones are hot, hot, hot these days. I'm going to make a concerted effort to cover quite a few in coming months. Here's a start...
Hollywood High
SAE 2HP-D power amplifier
Recording of October 2016: Lovers
Nels Cline, electric & acoustic guitars, lap steel, effects; Charles Pillow, C & alto & bass flutes, oboe, English horn, B-flat clarinet, alto saxophone; Steven Bernstein, Taylor Haskins, others, trumpet, flugelhorn, trombone; Julian Lage, guitar; Yuka C. Honda, celeste, Juno 60; Devin Hoff, contrabass, bass guitar; Alex Cline, drums, percussion; Kenny Wolleson, vibraphone, marimba, percussion; Michael Leonhart, arr., conductor; many others.
Blue Note 8002505102 (2 CDs). 2016. David Breskin, prod.; Ron Saint Germain, eng. DDD? TT: 90:02
Performance ****½
Sonics ****½
There's an old saying about music written for films and the stage: It's so lush and tuneful that it's almost too schmaltzy to be heard without accompanying visuals. Add to that the suspicion that many so-called "out" jazz catsguys with outsize reputations as loud, atonal shredders of the brainiac variety, blinding talents who prefer endless effects and generally play unhinged and far away from the melodyare really, under all the noise, big softies. There you have the story of Lovers.