LATEST ADDITIONS

The Jazz Journalists Association, of which I'm a member, announced its awards yesterday. Here are the winners in the major categories (a full list of the nominees and the winners can be found here and here), followed by my own choices (which, as you will see, differ from the consensus more than usual).

(It's worth noting up top that Sonny Rollins was declared "Emeritus Jazz Artist / Beyond Voting," which, though a bit of a cop-out, is sort of fitting.)

Register to win a Logic3 Scuderia R300 Headphone (MSRP $349.00) we are giving away.

Distinctive design inspired by the Scuderia Ferrari racing team and the aerodynamic air vents and traditional grille incorporated in the GT Cars. Active Noise Cancellation Technology (ANC) powered batteries, reducing unwanted ambient noise. Closed-back design which seals the ear pads to prevent loss of music dynamics. Robust machined crafted metal arms and diamond shaped grille finish to ensure durability and quality. Ultra-Soft ear pads constructed from enhanced breathable materials to ensure maximum comfort. Ergonomic 2-way folding design for compact storage and includes a Scuderia Ferrari carry case trimmed in carbon fibre texture for additional protection. Anti-tangle and detachable in-line remote cables trimmed in woven fabric.

[This Sweepstakes is now closed.]

At the 2013 AXPONA in Chicago in March, Cool Cleveland asked JA for his thoughts on the state of high-end audio. His answers might surprise you.

It wasn't very long ago that I boasted, in my casual, self-effacing way, that I didn't really like headphones—that I didn't need headphones. Because most people in the New York metropolitan area would rather die than communicate with each other, they use headphones as a sort of fortress of solitude, shielding themselves not only from their physical environment but from all other living creatures. I, however, claimed to enjoy listening to the sounds of the world around me—even screeching tires, blaring sirens, and the drone of air ducts could be musical. La-di-da.

Few topics ignite more heated arguments among audiophiles than the price of audio equipment. How much do you have to spend to get really good sound? Are people who buy expensive gear wasting their money, or is it simply a matter of getting what you pay for? There are many such issues, most of which have been discussed at length in Stereophile and various online forums; here are a few I haven't seen addressed except in passing.

Heads up! Not long after the sellout of both Decca Classics' First Collector's Edition box set of 50 Mercury Living Presence CD reissues, and their box set of six 180gm LP reissues, both drawn from the famed Mercury Living Presence catalog, Collector's Edition 2 arrives on May 14. The CD box's 55 titles include two first-CD issue rarities: Antal Dorati's 1953 Minneapolis Symphony Orchestra mono recording of Stravinsky's groundbreaking ballet, The Rite of Spring, and one of the final Mercury Living Presence recordings, John Corigliano's Concerto for Piano and Orchestra. The Corigliano recording premiere, performed by pianist Hilde Somer and the San Antonio Symphony Orchestra, conducted by Victor Alessandro, is paired with a close to 17-minute interview with Corigliano, conducted by Paul Hume one year after the concerto's 1968 premiere, and the Paregon to Richard Strauss' Sinfonia Domestica, Op.73.

Whenever I post one of these entries, there are at least a couple of readers who ask for reviews of the albums I’ve listed. And while such requests are quite reasonable, they take for granted that I’ve actually listened to all of these albums. Sadly, I have not.

Even sadder, I still haven’t listened to the albums I bought last payday.