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Make It Simple. . .
Ah, for the old mono days. I remember assembling my first audio systems in my early teens and as a novice—things were easy. My first amp had four RCA input jacks, each clearly labeled and corresponding to an identically labeled setting on the input selector switch. There were screw-down speaker connectors for 4, 8, and 16 ohms, and ground. Tape output was defaulted to whatever input I was listening to. The amp had but four knobs: Input Selection, Volume, Bass, and Treble. And although it would seem almost impossible to go wrong, I did exercise focus and care as I tended to my first setup.

On Tuesday night, while on their way to Seattle to play a show with Of Montreal, the four young women who make up the great new band La Luz suffered a frightening accident. Losing control of their van, they slid across black ice, and slammed into a concrete highway divider. The band managed to maneuver their van to the side of the road, where they called for help. Then, almost incredibly, while waiting for the police and a tow truck to arrive, their van was hit by a semi-trailer truck. The van, all of the band’s gear, and many of their belongings were completely destroyed.

To get a sense of the impact, see a photo of the van here. Fortunately, it was a 12-passenger van, and La Luz were using the entire back half as cargo space for their gear and belongings. The women were seated up front when their van was rear-ended by the semi-truck, sending them toppling into a ditch. Moments later, a third van slid across the freeway and collided into the semi! Aside from bruises, broken bones, and the major disappointment of having to cancel the rest of their tour, all members of La Luz are fine, as are the drivers of the other vehicles.

A message from La Luz’s official website:

High-performance audio has always been and will probably remain a cottage industry perpetuated by talented and visionary individuals whose products reflect their singular visions and whose companies often bear their names, though of course there are notable exceptions. One of them is Constellation Audio. No single star dominates the appropriately named Constellation Audio, which arrived on the scene at the 2010 Consumer Electronics Show with a seemingly impossible debut roster of products: stereo and monoblock amplifiers, preamplifiers, digital file player/DACs, and phono preamplifiers, each category of component represented by members of two distinct lines: no compromise and some compromise.

The long-anticipated opening of Brian Berdan’s high-performance audio store, Audio Element, took place on November 1 and 2 in Pasadena, CA. The store’s prime location in the heart of Pasadena’s retail- and restaurant-rich Oldtown helped sweeten the unveiling of America’s newest high-end emporium.

The design and manufacturing of loudspeakers can be described as falling on a continuum. At one end, we have speakers that use off-the-shelf drivers purchased from driver manufacturers, combined with crossovers based on information in standard loudspeaker design cookbooks and/or loudspeaker design software (perhaps with "voicing" that conforms to the designer's preference). In the hands of a skilled designer, this approach can produce good results—but they can't claim any originality.

At the other end of the continuum are speakers that are designed and built from the ground up,, using design principles that, while perhaps not entirely original, represent substantially new application of these principles. This approach is much more rare—and much more costly to implement.

The Muraudio Domain Omni ESL ($48,000/pair), which made its debut at TAVES, is squarely in the latter category...

No, you're not accidentally visiting www.motorcyclistonline.com. With some out-of-the-box thinking, Suave Kajko, President of the Toronto Audio Video Entertainment Show (TAVES), and Simon Au, Vice-President Sales of TAVES, approached Harley Davidson Canada about exhibiting at TAVES 2013 this past weekend, and the HD people agreed to participate.

What does this have to do with audio or video? Well, the top-of-the-line Ultra Limited Harley ($30,000) includes an "infotainment system," with all kinds of audio/video goodies, including surround sound. Here it is, with Suave looking suitably...suave (Sorry!).

Sonus Faber is an iconic Italian high-end company whose loudspeakers have always evinced innovative technical design, superb construction, spectacular appearance, and great sound. I was intrigued with the design and performance of their stand-mounted Extrema (reviewed by Martin Colloms in the June 1992 Stereophile, Vol.15 No.6), which combined a proprietary soft-dome tweeter and a mineral-loaded polypropylene-cone woofer with an electrodynamically damped but passive KEF B139 driver that occupied the entire rear panel.